Chhote Nawab (1961)

Continuing the theme of maybe not so remarkable films but definitely a remarkable soundtrack is 1961's Chhote Nawab (Little Master) which as i understand gave Mehmood (one of my favourite comedians) his first leading role, but the great fact about Chhote Nawab is that it marked the  music directorial debut of the great Hindi film music director R.D. Burman. According to Mehmood (via wikipedia) he appointed R.D. Burman as the music director because he got tired of R.D. Burman constantly denting his car with his constant drumming.Great Choice Mehmood I say, as I'm in love with this soundtrack but first lets get into the plot

Our Story begins in Lucknow where Bade Nawab (?) is burdened by the upcoming birthday bash of his 5 going on 20 years old son (just as well, as he was born on a leap year) son Chhote Nawab (Mehmood)

He's advised by his personal Assistant Munshi-ji (S.N. Banerjee) to keep it a low key affair but Safdar (Kumar) his son in law reminds him of his reputation which results in the Nawab taking out a loan from Bhagwati Prasad (?) who's out to exploit him, Nawab places his house as a collateral (I think we know where this is going, bad mistake Nawab)

Days after Chhote Nawab's birthday celebration when he's unable to pay back his loan, Bade Nawab suffers a hear attack when Bhagwati comes to reclaim his property.It turns out the idea to get bade Nawab to place his house as a collateral was a plan between Bhagwati and Safdar to usurp Nawabs wealth. However, Bhagwati cheats Safdar out of his share and ends up usurping Bade Nawab's property leaving Safdar penniless

Angry and frustrated at being conned by Bhagwati, Safdar starts mistreating everyone around  him including his wife (Minoo Mumtaz) and her brother Chhote Nawab. Unable to take Safdar's humiliating treatments any more Chhote Nawab escapes to Mumbai.

He's found roaming the streets of Mumbai by family friend Nawab Nazir (Nasir Hussain)  who takes him home and offers his daughter Roshan (Ameeta) as his fiancee

Chhote Nawab comes across as uncouth and after a humiliating episode Chhote Nawab subjects her to, Ameeta alongside Kanchan (Johnny walker) starts educating Chhote Nawab and transforms him from a bumpkin to a city Slicker

Alas all her hard work soon starts causing jealousy when Sophie (Helen) a night club dancer starts flirting with him

Chhote Nawab starts acting erratically and turns cold towards Roshan and her family, forgetting how they  had helped him when he was down and out (see what the beauty of Helen can cause)

If all this wasn't enough he gets in with the bad crowd when he becomes friends with Bihari (Anwar Hussain) a gambler whose company causes him to start visiting Kotha's (brothels) as well as become a raging alcoholic

The lovely Sheila Vaz

Will Nawab ever come back to his senses or will it be too late to save him from his debauched lifestyle? Watch Chhote Nawab to find out

While not being up there with my favourites, I enjoyed watching Chhote Nawab, the first half moves along rather smoothly and was very enjoyable mostly due to Mehmood's child like antics plus the general drama, but then the second half which follows his journey from Lucknow to Mumbai and which sees him transformed from country bumpkin to city slicker becomes all preachy and moralistic in that cliched modern versus traditional life manner but alas Chhhote Nawab had matured and they had to pad out the story, still though this is na enjoyable film and I'd recomend it for mehmood fans and for R.D. Burmans

Performance wise Mehmood is the scene stealer in this film which I've heard he self produced, I'd describe him as delightfully loud and annoying yet oh so lovable, his childlike mannerisms and body language are simply unmatchable see the scene below for example, I love Mehmood I really do

And Ameeta is love interest was oh so beautiful though a bit too camera conscious as I noticed numerous sceens where kept glancing directly at the camera

 And Helen what a beauty, i loved her look in this film

Great Soundtrack from R.D. Burman, the songs on this blew me away and I couldn't help but appreciate R.D.'s talent ever more so, the songs on here are pretty remarkable for a debut. Favourites include the playful kiddie song 'aam chum tam chuum', the sweet and uplifting 'aaj hua dil matwala' and two super mujra's in the form of 'Ghar aaja ghir' with the lovely Sheila Vaz and 'chura ke dil' can anyone Id the lady in the clip (see her below)

can anyone id her?

two favourites I've chosen to embed are 'matwali ankhonwale' with Mehmood and Helen in full flamenco mode (I love this picturisation so much)


and the fun 'jeenewale muskura ke jee'  I love this composure so much and Mehmood's child like giggles added to the song makes it ever so delightful


Paisa Vasool Rating: 6/10

Meri Surat Teri Ankhen (1963)

Meri Surat Teri Ankhen based on the bengali novel 'Ulka' by Dr. Nihar Ranjan Gupta is another film i had seen ages ago that's been lying around waiting to be reviewed, plus it reminded me very much of a topic i had long wanted to delve into

Wealthy and vain Raj Kumar (Ishwarlal) is expecting his first child with his wife Kamla (Achala Sachdev)

the arrogant and vain Raj kumar

When the child is born, it turns out to be of a dark complexion, Raj rejects the child as he considers dark complexion ugly, he then lies to his wife that she gave birth to a still born child

chi chi look at the look on his face

he tells Dr Mathur (Tarun Bose) his friend to keep the incident a secret, Mathur is disgusted by his friends actions but agrees none the less, Dr mathur is left with the baby, he gives the baby to Rahmat Mijan (Ishwarlal) and his wife who are a childless muslim couple

Years go by and Raj and Kamla have another child, this time the baby turns out to be very fair and is considered the epitome of beauty by Raj Kumar. The fair child named Sudhir (Pradeep Kumar) grows up to be a womaniser and a hotel manager

On the other hand Pyare (Ashok Kumar) his long lost dark skinned brother grows up to be a singer under training from Rahmat his adoptive father, he also suffers severe shyness due to people's reactions to his dark skin which is considered ugly

Following Rahmat's death Pyare goes to Mumbai to meet Dr Mathur, he's tormented by his ugliness and Dr Mathur decides its time to right some wrongs and then promises to introduce him to his real family

The taunts Pyare has been subjected to over the years leads him to favour living in darkness, when Dr Mathur's daughter kavita (Asha Parekh) takes a liking to his voice and approves of his beauty, Pyare starts feeling good about himself and its not long before he starts falling for her

Trouble though is the fact that kavita is the love interest of his unknown younger brother Sudhir, Kavita is fond of him too, and they hope to get married. When kavita notices his affection towards her she makes it known to Sudhir which breaks Pyare's heart

Following a performance at Sudhir's birthday party, Raj Kumar is taken aback by Pyare's talent , Dr Mathur lets him know that Pyare is none other than the son he had rejected years ago

Raj Kumar meets Pyare and decides to offer him money to stay out of his life. which Pyare rejects, when Pyare confronts him over his act he eventually approves of him as his son but reveals the shame he feels towards his ugliness, and the taint he might bring on his honour. He begs Pyare not to tell his mother the truth which Pyare agrees to for some weird melodramatic reason

Meanwhile Sudhir becomes the subject of blackmail by his friend Prakash (Iftekhar) when he's accused of violating Bela's (Indira) honour, he must pay to avoid his family's honour being tainted plus there's the danger of his marriage to Kavita being called off

Will Sudhir give in? Will Pyare see sense and reveal the truth about himself to his mother? What will be her reaction when she realises her husband lied to her about the still born child?

Despite descending into a chaotic melodrama of sorts and dragging on towards the end a fair bit, the message of the movie was clearly that of true beauty being inner beauty, the film also raises the issue of honour and looks especially that of dark skin and how it's considered ugly and a taint on one's honour.

The performances are ok all around but I felt Ashok Kumar hammy in parts and a bit too old for the part of Pyare, plus the fact that Achala Sachdev played his mother seemed very out of place, something just didn't feel right with that combination.

Of course its interesting to draw parallels with the whole beauty is skin deep that the film advocates and the prevalent issue of skin bleaching which so many bollywood stars are pedalling these days

I've long wanted to weigh in on this matter on here but always somehow felt it was a question of choice, I myself have long known about the prevalence of such creams during my formative years in Africa, however back then people who openly admitted bleaching often got dirty looks, bleaching creams were in no way advertised on a massive scale, there was an element of shame to them, in fact there was a popular quote drummed into us at Primary School, about people not proud of their colour being shamed or something along those lines, i really don't remember clearly. Still though I always felt it was a question of choice until I saw the documentary below (please take time out to watch the mini documentary below)

Skin Bleach Doc

I really do hope bollywood stars stop promoting the use of fairness creams, as can be seen from the documentary above, these creams can have a long lasting psychological effect, and are so not needed, given all the current stress and pressures of modern society, an individuals skin tone or complexion need not be an extra burden to carry.

And indeed if there's a gripe i have about bollywood, its the whole fairness equals beauty mantra, one only has to look at the prevalent use of white dancers in bollywood numbers plus numerous song down the years that praise fair skinned beauty. Indian Supermodel Lakshi menon has called the whole bleaching cream thing schizophrenia on a very large scale, i've embedded the interview below

Anyway enough of my ranting i'll end with this quote from Known Turf about the power of celebrity

"Perhaps, the trouble with too many artists is that they forget their own power. The power of media. Films and books are as much a tool for challenging social ideas as they are tools for emotional discovery or just plain storytelling. You can break stereotypes. You can stretch limited imaginations. You can help others become less judgmental human beings. You can save children. But you have to want to"

Lovely soundtrack from S.D. Burman, a lovely Mukesh & Suman Kalyanpur duet 'yeh kissne geet cheda' the beautiful 'teri khalayon mein' & 'tere bin sune' and the wonderful Rafi number (be sure to check out Asha's lovely dance moves in this) 'nache man mora magan' & a smooth Manna Dey number 'Poocho na kaise' my favourite of the bunch is the jazzy 'Tujse Nazar' with Indira as the Vamp

Paisa Vasool rating: 5.5/10

Himalay Ki God mein (1965)

Himalay Ki God Mein (In the lap of the Himalaya's) is yet another one of Mala's more notable roles, she plays the stereotypical innocent village girl in a charmingly funny way, this film earned Mala her third filmfare actress nomination alongside Meena Kumari for Kaajal and Sadhana for Waqt, she was upstaged by Meena who won for Kaajal

On his way back home to India from London after completing his medicine degree Dr Sunil Mehra's (Manoj Kumar) plane is forced to make an emergency landing after a passenger on board suffers a heart attack


Thus their toy aeroplane makes a landing in the jungle, not even a make shift airport but a bloody jungle with a sandy runway (LoL)


Sunil gets off the plane to get help only to be confronted by daaku's (dacoits) who rob him and beat him to the point of exhaustion, he's left in a critical state only to be rescued by village belle Phulwa (Mala Sinha) and her friends




Surprisingly for someone away from home and whose family are worried sick about him, Sunil seems very cheerful and without a care in the world, he and Phulwa start developing a bond. Sunil's health is back on full form and he returns to the city, he thanks Phulwa and her guardian Dayal (David Abraham) and leaves them his contact details


When Dayal falls ill Phulwa takes him to the city to seek Sunil's help, he then decides to leave the fast city life behind to help the vilagers of the Himalayas as they have no doctor in the town


He's advised against this by his parents and his fiancee Neeta who argues 'what's in it for him' even after persuading Neeta (a qualified doctor herself) to go with him to help the people she's reluctant as she's not ready to give up her high flying career in the city


However Sunil is determined and heads for the Himalayas on his own, before he leaves for the Himalayas he's warned by his father (D.K. Sapru) to keep the fact that he's Inspector Mehra's son a secret, as his father had tried arresting the chief dacoits of the Himalayas Lakhan (Jayant)


At the village he's met with opposition at first by the villagers who believe in traditional healers (Mukri & Kanhaiyalal) who are in fact fraudulent, the villagers warm up to Sunil over time when they see the imapct of his work


Happy Doc

When Sunil makes it clear to his parents that he intends on staying on in the Himalayas for life they're unappy and they send Neeta his fiancee as a pawn to bring him back to the city


Meanwhile Sunil & Phulwa have fallen deeply for each other


Will Neela succeed in her mission to bring him back? Will the dacoits realise Sunil is the son of the Inspector Mehra who's out to get them

An enjoyable film overall, it was not as great as i was expecting, its the kind of movie you watch on a rainy sunday afternoon, i guess my expectations were really high because the film won the 1966 filmfare Movie of the year award, by now i think i should have learnt the lesson that just because a film was awarded 'movie of the year' doesn't mean its an exceptionally great movie.

Still though, the decent acting, fabulous songs & scenery makes it enjoyable, i can tell the film won for its Swadeish kind of philosophy of kindness and love for humanity over one's own personal ambition as could be seen in Sunil's decision to leave the fast life behind in order to become a doctor in a local village. Also added to the narrative is the now familiar trope of a dacoit being a lovable person at heart, and social stigma/prejudice being the reason for their waywardness

Decent performances all around, i loved Mala's Village belle character, it had the potential to be annoying but Mala keeps it refreshingly funny and charming

she also gets the chance to show off some of her dancing skills, i've rarely seen Mala dance apart from the 'Lootee jaa' number in Ankhen


Shashikala is fast becoming one of my favourites, no one could play a detestable/contemptuous character like she often did

Superb music from Kalyanji Anandji (the credits indicate they were assisted by Laxmikant Pyarelal) indeed the music of this film is what makes it memorable for many, highlights include the beautiful ballads 'Ek Tu na mila' vibrant 'tu raat khadhi thi' & 'kankariya marke jayaga' where we get to see Mala doing some fab dancing, and the evergreen 'Chand si Mehbooba'



Total paisa Vasool rating: 6/10