Showing posts with label Tarun Bose. Show all posts
Showing posts with label Tarun Bose. Show all posts

Wednesday, 4 August 2010

Meri Surat Teri Ankhen (1963)

Meri Surat Teri Ankhen based on the bengali novel 'Ulka' by Dr. Nihar Ranjan Gupta is another film i had seen ages ago that's been lying around waiting to be reviewed, plus it reminded me very much of a topic i had long wanted to delve into

Wealthy and vain Raj Kumar (Ishwarlal) is expecting his first child with his wife Kamla (Achala Sachdev)
the arrogant and vain Raj kumar

When the child is born, it turns out to be of a dark complexion, Raj rejects the child as he considers dark complexion ugly, he then lies to his wife that she gave birth to a still born child
chi chi look at the look on his face

he tells Dr Mathur (Tarun Bose) his friend to keep the incident a secret, Mathur is disgusted by his friends actions but agrees none the less, Dr mathur is left with the baby, he gives the baby to Rahmat Mijan (Ishwarlal) and his wife who are a childless muslim couple

Years go by and Raj and Kamla have another child, this time the baby turns out to be very fair and is considered the epitome of beauty by Raj Kumar. The fair child named Sudhir (Pradeep Kumar) grows up to be a womaniser and a hotel manager

On the other hand Pyare (Ashok Kumar) his long lost dark skinned brother grows up to be a singer under training from Rahmat his adoptive father, he also suffers severe shyness due to people's reactions to his dark skin which is considered ugly

Following Rahmat's death Pyare goes to Mumbai to meet Dr Mathur, he's tormented by his ugliness and Dr Mathur decides its time to right some wrongs and then promises to introduce him to his real family

The taunts Pyare has been subjected to over the years leads him to favour living in darkness, when Dr Mathur's daughter kavita (Asha Parekh) takes a liking to his voice and approves of his beauty, Pyare starts feeling good about himself and its not long before he starts falling for her

Trouble though is the fact that kavita is the love interest of his unknown younger brother Sudhir, Kavita is fond of him too, and they hope to get married. When kavita notices his affection towards her she makes it known to Sudhir which breaks Pyare's heart

Following a performance at Sudhir's birthday party, Raj Kumar is taken aback by Pyare's talent , Dr Mathur lets him know that Pyare is none other than the son he had rejected years ago

Raj Kumar meets Pyare and decides to offer him money to stay out of his life. which Pyare rejects, when Pyare confronts him over his act he eventually approves of him as his son but reveals the shame he feels towards his ugliness, and the taint he might bring on his honour. He begs Pyare not to tell his mother the truth which Pyare agrees to for some weird melodramatic reason

Meanwhile Sudhir becomes the subject of blackmail by his friend Prakash (Iftekhar) when he's accused of violating Bela's (Indira) honour, he must pay to avoid his family's honour being tainted plus there's the danger of his marriage to Kavita being called off

Will Sudhir give in? Will Pyare see sense and reveal the truth about himself to his mother? What will be her reaction when she realises her husband lied to her about the still born child?

Despite descending into a chaotic melodrama of sorts and dragging on towards the end a fair bit, the message of the movie was clearly that of true beauty being inner beauty, the film also raises the issue of honour and looks especially that of dark skin and how it's considered ugly and a taint on one's honour.
The performances are ok all around but I felt Ashok Kumar hammy in parts and a bit too old for the part of Pyare, plus the fact that Achala Sachdev played his mother seemed very out of place, something just didn't feel right with that combination.

Of course its interesting to draw parallels with the whole beauty is skin deep that the film advocates and the prevalent issue of skin bleaching which so many bollywood stars are pedalling these days

I've long wanted to weigh in on this matter on here but always somehow felt it was a question of choice, I myself have long known about the prevalence of such creams during my formative years in Africa, however back then people who openly admitted bleaching often got dirty looks, bleaching creams were in no way advertised on a massive scale, there was an element of shame to them, in fact there was a popular quote drummed into us at Primary School, about people not proud of their colour being shamed or something along those lines, i really don't remember clearly. Still though I always felt it was a question of choice until I saw the documentary below (please take time out to watch the mini documentary below)



I really do hope bollywood stars stop promoting the use of fairness creams, as can be seen from the documentary above, these creams can have a long lasting psychological effect, and are so not needed, given all the current stress and pressures of modern society, an individuals skin tone or complexion need not be an extra burden to carry.

And indeed if there's a gripe i have about bollywood, its the whole fairness equals beauty mantra, one only has to look at the prevalent use of white dancers in bollywood numbers plus numerous song down the years that praise fair skinned beauty. Indian Supermodel Lakshi menon has called the whole bleaching cream thing schizophrenia on a very large scale, i've embedded the interview below


Anyway enough of my ranting i'll end with this quote from Known Turf about the power of celebrity

"Perhaps, the trouble with too many artists is that they forget their own power. The power of media. Films and books are as much a tool for challenging social ideas as they are tools for emotional discovery or just plain storytelling. You can break stereotypes. You can stretch limited imaginations. You can help others become less judgmental human beings. You can save children. But you have to want to"


Lovely soundtrack from S.D. Burman, a lovely Mukesh & Suman Kalyanpur duet 'yeh kissne geet cheda' the beautiful 'teri khalayon mein' & 'tere bin sune' and the wonderful Rafi number (be sure to check out Asha's lovely dance moves in this) 'nache man mora magan' & a smooth Manna Dey number 'Poocho na kaise' my favourite of the bunch is the jazzy 'Tujse Nazar' with Indira as the Vamp

Paisa Vasool rating: 5.5/10


Tuesday, 29 December 2009

Aan Milo Sajna (1970)

Rajesh Khanna is one of my favourite actors, i personally wouldn't describe him as the best of actors but i love his charisma & personality on screen, in fact most times i find him a bit over the top but its his 'over the topness' that keeps me entertained and makes him ever so endearing to me, its his 67th birthday today (Happy birthday Kaka) and as a result i thought i'd review Aan Milo Sajna (Come to me my love) one of my favourite Rajesh Khanna films

Anil Choudhury (Vinod Khanna) is a spoilt brat living a very flashy lifestyle, when his dying mother Savitri (Nirupa Roy) refuses to sponsor him anymore, Diwan (Chaman Puri) the family accountant suggests he marries, go on the straight and narrow and prove to his mother that he's a changed man


Anil the bad boy look what he has in his office drawer

Anil intially asks his secretary Leela to act as his fiancee, but when Leela tells her friend Varsha (Asha Parekh) about the plan, Varsha being a drama queen decides she'll take on the role of Anil's fake fiancee, and then changes her name to Dipali


Thus Varsha now Dipali poses as Anil's fiancee and on their way to the family mansion to meet his mother, Anil knocks down a poor villager and drives on without any sense of remorse, Dipali is shocked at his cold-heartedness and Anil is told off by Ajit (Rajesh Khanna) a do gooder and well respected man in their town


Anil's mother Savitri (Nirupa Roy) is depressive and longs to die, she believes the cause of her illness is a sinful deed which she feels, she can never be atone for, Dipali wishes her well and starts caring for her

Dipali wins the affection of Anil's mother who finds renewed confidence & optimism for life, she also sees her son Anil as a changed man and starts giving in to his every demand


Dipali on the other hand is taken aback by Ajit's big heart and his concern towards the poor, she falls for Ajit and after pestering him with love songs he falls for her too


Savitri on the other hand is eager for Anil and Dipali to get married, when Dipali's conscience starts getting the best of her she decides to tell the truth only for her to be interruppted by Anil who guilt trips her telling her Savitri might suffer severe consequences and revert to her illness if she finds out the truth



Savitri later finds out about Anil's dodgy deals and investments with her money , she decides to put all her will in Dipali's name not even knowing Dipali isn't her real name but Varsha



Anil is gutted but when he catches Asha in the hands of Ajit he exposes her deeds to his mother, trying to convince her about Asha's unfaithfullness




Meanwhile Ajit's mom Kaushalya (Dulari) is scared of her son's association with the Choudhury's considering his relation with Dipali who resides in their mansion


Why is Ajit's mom forbidding him from going to Anil's mansion? What evil deed was Savitri feeling so remorseful about? Will Deepali reveal the truth about her identity, what effect will it have on Savitri

I think i've tried writing this film up to the best of my ability there's was so much going on, its a well packaged commercial entertainer, this movie has everything you'll want from a 70's bollywood drama masala escapist fare, there's romance, suspense, a little bit of action , a comic side plot, gorgeous lead actors and actresses as well as great songs of course, all are combined for a superbly entertaining film, i loved every minute of this film and i'd strongly recommend it if you love your 70's escapist fares,

Rajesh Khanna really is a handsome man, not like i didn't know that before but he was just on another level of hotness in Aan Milo Sajna


as for Vinod Khanna i loved him as the villain in this, he was fiercely evil, just how you want your villains to be, if you love Vinod, you must definitely watch this film



He was also rocking some serious fashions as well

straw hat, checked shirt, neckerchief and oversized sunglasses (well done Vinod)


green tuxedo and yellow bow tie only Vinod can get away with this

Tom Cruise and his Top gun buddies can go take a back seat, here's Vinod wearing aviators years before Tom and his buddies made them hugely popular in Topgun

Asha Parekh was also styling and looked extra gorge in this



And Nirupa Roy was actually a different Maa in this one not only was she carrying a gun she gave Vinod a hot tight slap just when he needed it



Nirupa Roy is gorgeous FACT

Ok i've said it before and i'll say it again Laxmikant Pyarelal were the kings of commercial film music i loved each and everyone of the songs from the romantic 'tere karan' the colourful title track 'aan Milo sajna' to the fun 'acha to hum chalte hai', 'Jawaani o diwani to zindabad' of the lot my favourites are 'palat meri jaan' which has now become one of my favourite Asha Parekh songs



and 'koi nazrana leke'



Happy Birthday Rajesh khanna wishing you many more happy years to come

I'll recommend everyone who's a fan to watch the 1973 bbc Documentray on Rajesh khanna Bombay superstar, i've embedded part 1 below



Watch Part 2
Watch Part 3

BUY DVD