Ghar Ghar Ki Kahani (1970)

Usually films with kids can either fall into two categories, that of the super annoying kid a la 'Ginny aur Johnny' or adorable like those in social movies like Boot Polish. Ghar Ghar ki kahani is a lot more like the latter

Shankarnath (Balraj Sahni) a honest and hardworking family man is seen as a miser by his son Raju (Ramesh Kumar), when he refuses to pay for a trip to Ajanta & Elora

Its not only Raju has a problem with their dad's tight hand, his daughter Rupa (Neetu Singh credited as Baby Sonia) isn't too happy about not getting money for her dance costume, so is her little brother Ravi (Master Ripple) over not getting a new bike. Their mother Padma (Nirupa Roy) tries to appease them but these kids are having none of it

Neetu is so cute i see bits of Ranbir in her

They all go on hunger strike as a protest against their father whom they consider to be a miser. Their father eventually cuts a deal with Raju when he decides to allow him run the household on his salary for 6 months, promising they can have all their wishes if he (Raju) manages to save.A delighted Raju accepts the deal

 Ravi soon finds out that what a challenge saving is, and over time the kids soon realise the value of R600 and how hard it is to stretch. Thus they begin making cuts by sacking the maid, helping to do household chores and changing other bits of their lifestyles just to save money so they can each get what they want

But life isn't that easy and various obstacles spring up when their mother falls ill and they have to buy medicines which weren't written in their budgets. Also uninvited free loading relatives turn up for Diwali, all of which eat into their savings

While Raju and his siblings are living on a budget and doing their very best to make their father's measly income stretch, a co-worker of their father Sadhuram (Om Prakash) lives a flashy lifestyle (which is funded by the money he receives from bribes, all of which help cater to his family's rather high taste)

Also living lavishly is spoilt brat Gopi (Mehmood Jr.) who gambles away his wealthy parents money

So will Raju manage to save enough to pay for his trip to Ajanta as well as pay for his sister's dance costume and his brother's bike? Will Sadhuram ever learn to live within his means and not accept bribes?

Ghar Ghar Ki kahani ended up being a sweet film with cute performances all around. I especially appreciated the child actors in this film, usually child actors tend to be very annoying in hindi films, but here they were restrained and I enjoyed the gradual change in their behaviour and attitudes towards  the value of money. Infact the morale of the film seems centred around the whole idea of living within your means and not 'keeping up with the Joneses'.

The ending left me a bit cold though, as I just couldn't help but feel dissatisfied that despite their sacrifices and well disciplined acts to cut costs, the lovely kids all  chose to forgo their wants all out of pity for their Dad's meagre income and living within their means. Yes all that is nice and fair but the poor kids worked hard too, and made considerable changes to their lifestyle just so they could save. Still though, don't let that put you off the film, if you enjoy your 70's style family dramas then definitely give this one a go

This film also had Rakesh Roshan in his first film role , he looked so handsome and I've finally seen where Hrithik gets his good looks from

very Dapper hai na?

Kannada film legend Bharathi Vishnuvardan played his love interest, she reminded me a bit of Reena Roy/Vyjayanthimala

Lovely songs from Kalyanji Anandji, not up there with their classics but they're good and fitted the premise of the plot, there's a lovely parody song by Mehmood Jr. 'Aisa Banoonga' (Great performance from Mehmood Jr.) the beautiful 'aise na dekho' and 'suno sunata hoon' my favourite of the bunch and perhaps the best song in a mostly forgotten soundtrack is the wonderful 'Samaa hai suhana'

Paisa Vasool rating: 6/10

Himalay Ki God mein (1965)

Himalay Ki God Mein (In the lap of the Himalaya's) is yet another one of Mala's more notable roles, she plays the stereotypical innocent village girl in a charmingly funny way, this film earned Mala her third filmfare actress nomination alongside Meena Kumari for Kaajal and Sadhana for Waqt, she was upstaged by Meena who won for Kaajal

On his way back home to India from London after completing his medicine degree Dr Sunil Mehra's (Manoj Kumar) plane is forced to make an emergency landing after a passenger on board suffers a heart attack


Thus their toy aeroplane makes a landing in the jungle, not even a make shift airport but a bloody jungle with a sandy runway (LoL)


Sunil gets off the plane to get help only to be confronted by daaku's (dacoits) who rob him and beat him to the point of exhaustion, he's left in a critical state only to be rescued by village belle Phulwa (Mala Sinha) and her friends




Surprisingly for someone away from home and whose family are worried sick about him, Sunil seems very cheerful and without a care in the world, he and Phulwa start developing a bond. Sunil's health is back on full form and he returns to the city, he thanks Phulwa and her guardian Dayal (David Abraham) and leaves them his contact details


When Dayal falls ill Phulwa takes him to the city to seek Sunil's help, he then decides to leave the fast city life behind to help the vilagers of the Himalayas as they have no doctor in the town


He's advised against this by his parents and his fiancee Neeta who argues 'what's in it for him' even after persuading Neeta (a qualified doctor herself) to go with him to help the people she's reluctant as she's not ready to give up her high flying career in the city


However Sunil is determined and heads for the Himalayas on his own, before he leaves for the Himalayas he's warned by his father (D.K. Sapru) to keep the fact that he's Inspector Mehra's son a secret, as his father had tried arresting the chief dacoits of the Himalayas Lakhan (Jayant)


At the village he's met with opposition at first by the villagers who believe in traditional healers (Mukri & Kanhaiyalal) who are in fact fraudulent, the villagers warm up to Sunil over time when they see the imapct of his work


Happy Doc

When Sunil makes it clear to his parents that he intends on staying on in the Himalayas for life they're unappy and they send Neeta his fiancee as a pawn to bring him back to the city


Meanwhile Sunil & Phulwa have fallen deeply for each other


Will Neela succeed in her mission to bring him back? Will the dacoits realise Sunil is the son of the Inspector Mehra who's out to get them

An enjoyable film overall, it was not as great as i was expecting, its the kind of movie you watch on a rainy sunday afternoon, i guess my expectations were really high because the film won the 1966 filmfare Movie of the year award, by now i think i should have learnt the lesson that just because a film was awarded 'movie of the year' doesn't mean its an exceptionally great movie.

Still though, the decent acting, fabulous songs & scenery makes it enjoyable, i can tell the film won for its Swadeish kind of philosophy of kindness and love for humanity over one's own personal ambition as could be seen in Sunil's decision to leave the fast life behind in order to become a doctor in a local village. Also added to the narrative is the now familiar trope of a dacoit being a lovable person at heart, and social stigma/prejudice being the reason for their waywardness

Decent performances all around, i loved Mala's Village belle character, it had the potential to be annoying but Mala keeps it refreshingly funny and charming

she also gets the chance to show off some of her dancing skills, i've rarely seen Mala dance apart from the 'Lootee jaa' number in Ankhen


Shashikala is fast becoming one of my favourites, no one could play a detestable/contemptuous character like she often did

Superb music from Kalyanji Anandji (the credits indicate they were assisted by Laxmikant Pyarelal) indeed the music of this film is what makes it memorable for many, highlights include the beautiful ballads 'Ek Tu na mila' vibrant 'tu raat khadhi thi' & 'kankariya marke jayaga' where we get to see Mala doing some fab dancing, and the evergreen 'Chand si Mehbooba'



Total paisa Vasool rating: 6/10

Gumrah (1963)

This is a somewhat flawed but highly enjoyable suspense drama, i watched it on a lovely friday evening and was so mesmerised by the music and Mala of course. This is one of the early bollywood films that dealt with the subject of adultery

The film starts with the hindu tale of Laxmanrekha where Sita asks her partner Ram to fetch her a deer, following his delayed return she enquires his brother Laxman to check if his brother Ram is ok, Laxman agrees but before he goes he creates a line outside of which Sita mustn't step out of


We're then introduced to a modern tale of a woman who stepped outside of such a boundary

Rajendra (Sunil Dutt) & Meena are lovers who hope to get married, things take a turn when Meena's sister Kamla (Nirupa Roy) and her two kids Pappu & Dolly (funny names right) comes to visit them from Mumbai



Tragedy strikes when Kamla dies after falling off a hill


Meena's father (Nana Palsikar) suggests Meena marry her sister's husband Barrister Ashok (Ashok Kumar) since a new woman might not take to the kids


Meena disagrees but when she notices the kids attachment to her she agrees to marry Ashok and then moves down with him to Mumbai, all this happens without her even informing Rajendra



Down in Mumbai Ashok turns out to be a workaholic and is even unable to attend their first wedding anniversary organised by Meena's father in Naintal he fails to turn up, surprisingly Rajendra her former lover turns up to entertain the guests


He and Meena are reunited and he tells about her how she had broken his heart and left him without even a word of warning, Meena explains things to him and they soon start meeting each other secretly to get busy between the sheets



When Ashok and Rajender meet each other randomly in Naintal, Ashok is taken aback by Rajendra's talent as a painter, and is surprised when one of his paintings look very much like his wife Meena, he buys the painting


Ashok gets friendly with Rajender and suggests a move to Mumbai which Rajendra is reluctant to do at first but when a film company offers him a singing job in Mumbai he accepts and moves down, thus Rajendra and Ashok get very friendly which puts Meena at great unease


However she and Rajendra keep meeting up secretly until one day a woman called 'Leela' (Shashikala) who claimsto be Rajendra's wife, she accuses Meena of cheating and threatens to blow her cover, thus begins a series of blackmail and terror which would drive Meena off the rails


Who is this woman? is she really married to Rajendra, If so why didn't he tell Meena about her? Will she tell Meena's husband even after all the bribe, What will happen to Meena's marriage should her husband find out?

A thoroughly engrossing drama, i loved each and every moment of this film, just when i thought it was a standard drama the film takes a suspenseful drive that kept me at the edge of my seat right till the very end. The ending was a bit of a letdown or should i say seemed a bit too easy, going by the moral lessons in lots of bollywood films i've watched, i was a little surprised by the ending in this, it seemed a bit too fair

Also some aspects of the film can be regarded as quite sexist, the film makes the point of the woman being the moral centre point of the family, if the 'woman strays the whole family strays' is the argument the film presents, the feminist in me then questions 'How about the man, if he strays surely the whole family strays too?' Asides from the above stated quips, this is a highly enjoyable film and its one i'll be watching over and over again, if not the whole film then for the songs at least. Gumrah was remade into the 2005 Anil Kapoor, Akshay Kumar starrer Bewafaa, i have no idea how it compare but from the reviews i've read its no way as fab as this


Fabulous performance from Mala, i just loved her so much in this film, from her chemistry with the kids to her agony as the cheating wife who's being sussed out you feel her frustration as she's being frustrated to the point of insanity. I loved her style and the way she swishes her Sari around when she's about to go and do her deeds with Rajendra


Shahsikala only has a few screen time but she makes an impact, you just want to hate her, roles where Shashikala seemed to be so annoying to the point of wanting you the viewer to pull her out seemed to be her forte, she was awarded the filmfare best supporting actress for her performance


fab interior decoration, i love that sofa on the left

This is one of my favourite soundtracks from 60's bollywood all the songs are hauntingly beautiful, 'chalo ek baar phir se', the beautiful arrangements and melodies in 'aap aaye' the haunting 'aa bhi ja' wonderful kiddies song 'Ek thi Ladki and my favourite one 'tujhko mera pyar pukare' where we're treated to lovely shots of Naintal



Total paisa Vasool rating: 7/10

Ayee Milan Ki Bela (1964)

The final film in our Dharmendra week series of movies, is quite an unusual one as Dharmendra plays a villain in this one

Diwan Saheb's wife Pushpa (Mumtaz Begum) loses her child during labour rendering her childless for life, the nurse suggests Diwan Saheb ask their maid laxmi who had given birth to twins in secret (out of wedlock perhaps) for one of her kids to replace Pushpa's


Laxmi is reluctant at first but she gives Diwan Saheb one of her kids when he explains Pushpa might suffer a shock if she realises the child she gave birth to didn't make it, Diwan makes her promise not to tell anyone about the matter.


Shyam which is the child Laxmi keeps stays with his mother in the village and ranjit the child which she goives away to Diwan saheb goes abroad (i love the way this was done all through the credits)



Shyam grows up to be a successful farmer, he meets and falls for Barkha (Saira Banu) the daughter of a wealthy investor who had introduced machinery to farming in Shyam's village



Ranjit returns from London and is appointed as General Manager over Mr Chaudhuri's business which Shyam also helps in running, unknown to Shyam & Ranjit is the fact that they are long separated brothers, they meet and they both form a deep connection with each other


Shyam's mother realises who Ranjit is but due to her promise to Diwan Saheb she keeps silent


As time goes by Ranjit too falls for Barkha, when he realises Shyam is in love with her as well as Barkha's affections towards Shyam he starts getting jealous and resentment starts building towards Shyam


Rohanlal (Madan Puri) whom Shyam had caught stealing from the comapnay poisons Ranjit's mind furthermore, together they come up with a plan to frame Shyam


Shyam is then framed for stealing money from Barkha's father and accused of impregnating Rupa (Shashikala), understandably Barkha is gutted and things between her and Shyam go sour


Overall a standard commercial enjoyable and watchable 60's bollywood drama, the songs are excellent and the story doesn't drag on, the only minor quip i have about this film is Dharmendra's villain act

I was expecting some over the top evil scheming or plotting considering he's a villain but the script lets Ranjit's character as a villain down, as even his evil actions stem not from his own thoughts but from Rohanlal's maliciousness. As such Ranjit is more a character with a dark side or shades of grey as opposed to an outright villain, plus he didn't have as much screen time as Rajendra Kumar who was the central character


And i loved Rajendra Kumar in this, in fact i love him in most things i know some if not many people on the blogosphere find him a bit too much or overbearing but i simply adore his energy and his dramatic ways check him out in the scene below with Dharmendra





I absolutely loved Saira Banu in this, most times when i see her, she's always hyper or a bit too much but here she's restrained and as beautiful as ever


Ahhh i loved her cute litte dog too and i do covet that Radio, flask and briefcase



While watching this i realized how truly gorgeous Sulochana Latkar can be such a pity she was mostly relegated to motherly roles

Fabulous sondtrack from Shankar Jaikishen 'main pyar ka deewana' (audio only) the delightful colourful title track 'ayee milan ki bela', the sweet 'tum kamseen ha ho' & 'tumhe aur kya doo' with Saira doing some fab dance moves, 'O sanam tere' is my favourite track




Paisa Vasool Worthiness: 7/10

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