Saajan Bina Suhagan (1978)

I plan to make a tradition of posting a Nutan review on this blog for as long as I keep it running on every 4th of June as we both share the same birthday. This is one of Nutan's last leading central heroine films with that master of Soap Opera-ish movies Saawan Kumar Tak, I reviewed another one of his films with Nutan, Saajan ki Saheli here last year as well

Gopal (Sreeram Lagoo) a wealthy family man receives bad news of his cancer from the doctor, he's advised to leave his home in  the more relaxing environments of Simla for the hustle and bustle in Mumbai all in the name of hiding his illness from his family

He leaves his wife Asha (Nutan) and 3 Children (Barkha Chopra, Kasturi Bartake & Padmini Kolhapure) behind without revealing the real reason for his sudden move, especially since his youngest daughter Bulbul (Padmini Kolhapure) has a hole in her heart

With their father gone to Mumbai, Bulbul befriends the new next door neighbour Rajkumar (Rajendra Kumar), who turns out to be (in a strange coincidence of melodramatic emotions to come) her mother Asha's ex lover. They had separated when Asha's father gave her away in marriage while Rajkumar was away in England studying

Asha eventually does find out the truth about her husband Gopal's illness and before his death he makes her promise to keep living like a married woman when he dies (what????)

Its not long till he does indeed die, only that before he kicked the bucket, Mangatram (T.P Jain) a worker at Gopal's hospital had eave dropped on their conversation. He starts blackmailing Asha for it, making extortionate demands for Money Asha can't even dream of

How long will this go on for? Will Asha put herself out of the misery her husband placed her in by coming clean? How long will she cope with this pretense as well as having to raise 3 kids all on her own?

When the title of a movie translates as it does in this case into Married without a husband you know you're in for some ridiculous soap opera style melodrama. It was quite annoying watching Asha obey her husband's selfish and in fact bad for her health advice, I'm inclined to think of it as sexist and his way of exerting control over her, On the other hand Saajan Bina Suhagan reflects the flip side or should i say dangers of self sacrifice as  Asha ends up paying a big price for her obedience to her husbands ill advice  but this being a family drama it all gets mushied up for a candy sweet ending.

But alas depsite this Saajan bina suhagan is quite watchable, nothing special here in terms of performances , as its all very Soap operaish but give it a go if you like the leads (in my case Nutan) or if you love your inoffensive 70's melodrama time pass movies.

Nutan was one of the major highlights in this for me, her Chiffon saris are a Joy to behold, see for yourself below

Loving her pink polka dots

How's this big flowery one? very Beautiful i say

Lovely colourful Floral sari

Padmini Kolhapure never aged I see, she looked just like this in her later movies

Padmini Kolhapure  at about 10-12 years

Other Cool Screen Caps

Loving Vinod's Jumper here

Can someone please ID her, I think she's Barkha Chopra, she had some interesting neckerchiefs

Good soundtrack from Usha Khanna on here, my favourites are the catchy Jijaji Jijaji hone wale jijaji, the sweet 'Madhuban khushboo deta hai' which should go on the list of bollywood piano songs for anyone collecting them. The irresistible 'O jaani, jaani tum' which samples Spanish group Los Pop Tops 'Oh mamy, Oh Mamy, Mamy Blue' . The song I've chosen to embed today though is Happy birthday Mama just because it fits as today is my birthday and no I'm not a Mama but yet still, enjoy



Paisa Vasool Rating: 4.5/10

P.s. This post has been automatically published

Insaf Ka Tarazu (1980)

Writing my first review after such a long time feels weird which makes me proclaim 'away from me writer's block and be gone, be gone I say'. Insaf ka Tarazu is a movie i had planned to review on Zeenat Aman's birthday last month on November 19th, but as time did not allow, i thought it'd be the first movie i review now that I'm back in the swing of things.

Directed by the master of socially relevant bollywood films 'B.R. Chopra', Insaf ka Tarazu (The scales of Justice) is notable for being the first bollywood film that dealt head on with the subject of rape, it's also widely considered by many as one of Zeenat Aman's landmark performances. The film has been observed by many as a remake of the 1976 hollywood film 'Lipstick', which I'm yet to see, hence i shall not be able to comment on how much it rips it off, but this bollywood adaptation is a great watch, and is very much a bold film for its time

Our movie starts at a beauty competition where the audience decides who gets crowned the winner

(bollywooddeewana's note: How very forward thinking isn't it, voting for the winner is all the rage these days on Television shows)

Fashion model extraordinaire Bharti (Zeenat Aman) raises temperatures so much that a fan in the audience scores her a whopping 200 out of a possible 100. Bharti wins the competition and

the fan in question turns out to be wealthy industrialist Ramesh (Raj Babbar). As a reward for his enthusiasm he's called to crown Bharti, which he feels very honoured to do

Ramesh falls for Bharti and despite knowing she has a boyfriend of her own called Ashok (Deepak Parashar), he's hell bent on wooing her. Part of his attempts include hosting a special V.I.P birthday bash for her

Bharti goes along to the party with her boyfriend and sister, but Ramesh notices all his advances are being shunned by a rather childish Bharti in favour of her boyfriend Ashok

While Ramesh is nursing his broken heart/ego, Ashok and Bharti's relationship moves onto the next level when he takes her to his parents, Bharti's in laws approve of her and plans are made for them to get married

Ramesh still bent on wooing Bharti, calls her requesting to bring pictures from the party he threw for her, he's given the go ahead by Bharti. Ramesh goes that extra bit further and gifts her a present which Bharti in a rather childish and rude manner ignores in favour of her boyfriends call. Ramesh is furious and proceeds on raping Bharti

Bharti's sister Neeta (Padmini Kolhapure) walks in on them & thinks the sexual act between her sister and Ramesh is consensual

(bollywooddeewana's note:surely she should have seen the bruises & scars on her sister's face as well as the fact that she's tied up,or did little Neeta probably think her sister was indulging in some S&M fun, i'd fear to think so)

Violated and shattered, Bharti is determined to get justice

(bollywooddeewana's note:I must admit that i do rather like this painting revealing Bharti's inner state of mind)

despite the lawyer's (Simi Garewal) warning of the emotional turmoil and humiliation the court case will very likely bring, Bharti insists on taking the case to court

(bollywooddeewana's note: I actually find the film quite feminist in this regard as she (Bharti) stood up and made her voice heard rather that fear being ridiculed and as a result keep schtum)

True to the lawyer's word Bharti is subjected to all sorts of humiliating questions from her attire she was wearing before the rape to providing proof she was raped and many other mundane questions, she's eventually accused of luring Ramesh to bed & attempting to cover up the whole incident with the intention of remaining angelic in the eyes of her younger sister

Bharti loses the case mostly in part to the dubious lawyer Mr Chandra (Sreeram lagoo) whom Ramesh had bought out plus various pictures which showed them enjoying each other's company was enough to convince the judge Bharti was lying

Devastated and humiliated at losing the case Bharti's world comes crumbling down, What will happen to Bharti, will she ever be able to get justice? What will society make of her now? What will happen to her career as well as her relationship with Ashok? Watch Insaf Ka Tarazu (scales of justice) to find out

On the whole Insaf ka tarazu is a taut and gripping drama/thriller, it had me engrossed right from the get go and the film only begins to falter in my opinion in the quite tedious court scenes, and as usual my complaint with many a bollywood film that includes a court scene rears its ugly head here once more (see previous complaints here and here). Why is it that the court is always a place of jesting and other hijinks, for example raucous laughter is allowed to go on numerous times in the court without the judge shouting 'order'

But my complaints are far and in between as this film is a major winner for me, mostly in terms of its feminist stance in the form of Bharti not being afraid to seek justice at the cost of what might become of her reputation in society , that along side the injustices in the judicial system regarding rape which was echoed in the much later and rather over the top Zakhmi Aurat, makes this film a must watch, i definitely recommend it and i recommend reading the magazine scans at the end of this post too.

Looking back and judging by the rape and Judicial system in modern day India in the magazine scans at the end of this post, it seems a lot of the things i was angry about while watching this film happens in real life like Bharti's sister being asked to come and stand trial and then being shouted at by the lawyer. All these points and arguments which the article at the end of this post raised made me like this film all the more and made it even more relevant to our present times. As for the flat/rushed ending many imdb commenters seem to be unhappy with, alas the director had to bridge the gap between making a socially relevant film and making money at the same time, not a bad thing in my opinion.

I'd recommend this film as a must watch for all Zeenat Aman fans, i found her portrayal of Bharti passionate albeit a bit uber melodramatic and without sounding shallow she looked utterly gorgeous

Raj Babbar whatever you think of him doesn't really matter, as i think this is one if not the best role he ever played, he brought a certain creepiness to his Ramesh character so much so that you can't help but hate him, infact I've come across numerous people who hate him because of his role in this, but i say well done Raj for a great performance

Deepak Parashar another actor who gets schtick for being wooden , i actually found quite cute in this and he and Zeenat made a lovely pair

And lest i forget Padmini Kolhapure, she was nothing but great as Bharti's chirpy little sister this young actress who i believe was only a wee teenager at the time showed she was capable of handling melodrama whilst showing some restraint while doing so

Honourable mentions to Simi Garewal, Ifthekar and Sreeram Lagoo as well

Garam Dharam makes a special guest appearance

Lovely music from Ravindra Jain on this, i simply love this soundtrack and i've included links to all the videos with English subtitles, from the restrained title track 'insaf ka tarazu' to the playful 'yeh ho gayi' , my two favourites though are 'Hazaar khwaab haqeeqat' a wonderful love song by Mahendra Kapoor and Asha Bhosle

and 'log aurat ko' is definitely amongst my top three Asha Bhosle songs of all time

Paisa Vasool rating: 7/10

Magazine scans on rape the state of Rape and Justice in India

Click on image to enlage

Click to enlarge


Article courtesy Femina Magazine

Ghungroo ki Awaaz (1981)

Here I am just right before the end of this month for what would be my last post for Rekhatober, I had prepared so much for Rekhatober but time would not allow, however the many Rekha movies I've watched are not wasted, and i shall be reviewing them randomly in the following months, also Rekha's induction into the bollywood fashion icon hall of fame shall happen at a later date next month. Seeing as today's Halloween i thought i'd round up Rekhatober with this Ramsay Brother chill fest or is it???

Its love at first sight when wealthy Ranjit (Vijay Anand) sets eyes on kajal (Rekha). Kajal however turns out to be a courtesan who's sick of her life in the Kotha (brothel), Ranjit buys her out of there and she comes to live with him

His uncle Jasbir Singh (Shreeram Lagoo) doesn't take too kindly to kajal as she's considered a taint to their family honour

She receives a letter from one of her former lovers Shakal (Dheeraj Kumar)which Ranjit's uncle reads and then alerts Ranjit about. His uncle comes up with a plan to set her up, he decides that if she does indeed meet up with her old lover, then she's a fallen woman and would be kicked out, on the other hand if she doesn't she'll be received into the family as a honourable woman

Thus Ranjit pretends to go a trip in order to catch Kajal red handed. Kajal falls for the trap as she does indeed go out to meet her lover Shakal (Dheeraj Kumar), but her intentions had been to poison him to stop him from coming back to her ever

Ranjit catches Kajal flirting with Shakal and in a state of fury he shoots them both

He and his uncle cover up the murders by setting the mansion on fire. Kajal's ghost soon starts haunting him relentlessly

if Ghosts looked like this, then i wouldn't mind being haunted by one

While on a trip to Bombay to getaway from it all, he meets a doppelgänger of Kajal called Kiran, she becomes his nurse and he falls in love with her too

So cute na, just look at him feeling very pleased with himself

But Kajal won't let him rest and keeps appearing to him and begins making threats to kill Kiran since he has stolen her happiness, in other words if she couldn't live with Ranjit neither will Kiran

Who is this doppelganger and why does she look so much like Kajal? Will Kajal succeed in her mission to kill?

Oh plus the cops are now on Ranjit's back over the murder that took place in his mansion

Ghungroo ki awaaz (The sound of the anklets) is not a great film by any means and those who are expecting the usual Ramsay brothers horror fest better look away as this film isn't their usual blood fest since Vijay Anand who starred in this was the producer himself, all that Ramsay brother gore had to be cleaned out. Indeed one might ask why he casts himself in this, i can only guess he was besotted with Rekha and wanted to share Screen space, just look at him in the pictures below

With that said I enjoyed the film despite its bad screen play, editing and so many other faults like this imdb reviewer lists here. For me Rekha and her ravishing beauty and the drama she brings to the role, gave me my money's worth. Overall Ghungroo ki awaaz (The sound of the anklets) is quite a watchable and a little enjoyable suspense melodrama ridden with plotholes, i wish it had been more chilling and a bit more daring but overall not a bad watch especially for Rekha lovers and for R.d. Burman's music. And oh, watching Vijay Anand scream like a little girl at the sight of Rekha's ghost added much to my enjoyment ;-)

For all Rekha lover's out there, feed your eyes

Ah how cute is the charlie's bag

Other Eye Candy

Padma Khanna had a small role

Tyhe other reason i'll forever remeber this film are R.D. Burman's songs on here, they're all winners from the fantastic 'ankhiyon ka kajra', the beautiful 'pagla pagla' & 'jo bhi tune dekha' i could go on and on but the two I've chosen to embed are the beautifully haunting 'rote rote naina' - i loved the lyrics to this so much and i wish i was able to upload them with english subtitles but the dvd kept playing up

and the other the wonderful Kishore Kumar number 'o mere humraaz (tere ghunghroo ki awaaz)'

Paisa Vasool rating: 5/10 (worth it especially because of R.D. Burman's music)