Aas Paas (1981)

Continuing the Dharema theme is this rather significant movie, significant not so much because of its content but because it was the last film the great hindi film playback singer Mohammed Rafi recorded   for before his death in 1980

Thus the movie starts with this dedication

Then we're introduced to Arun (Dharmendra) who's just been released from Prison, the story goes on a flashback mode where Arun a wealthy and outgoing  young man meets and falls in love with a theatre actress Seema (Hema Malini)

 When Arun announces his plans to marry Seema, his Mother (Nirupa Roy) is none too pleased her son is getting married to a theatre dancer but Arun persists

Arun is later called to herald the family business, however Prem (Prem Chopra) his brother in law is none too pleased and sets about killing him off by planting a bomb in his plane

Distressed and shattered over Arun's death Seema finds herself unable to perform at the theatre which results in her being fired. If all this heartache wasn't enough for poor Seema, her father dies leaving Seema alone to fend for both herself and her brother

Poor Seema, I'd be traumatized as well

She becomes a big time Sharaabi (drunkard) and starts living with another washed up actress rani (Nadira) whose waning popularity had led to depression and drinking

Sita-ji!! those sharaab bottles screen caps are for you, Hema Malini sure looks like she enjoys her drink

During one of her drinking sessions, she's violated by Prem in vengeance for how she had insulted him during her time at the theatre (Poor poor Seema,  poor girl can't seem to catch a break)

After a rather long spell of horrid happenings, Seema's world comes alive once more when Arun is found alive, plans are made for their engagement

However on the date of their engagement Seema realises that none other than Prem who had  violated her is Arun's brother in law

How will Seema handle Situations, will she call off her marriage to Arun? Will She tell Arun about the heinous act his brother in law committed against her? Will Seema ever be able to catch a break?

Asides from its significance of containing the last recording of a Mohammed Rafi song 'tu kahin aas paas hai dost' (Does anyone know if Mohammed Rafi actually finished recording the song), Aas Paas is well worth paasing over. Of all the Dharema (that's Dharmendra & Hema Malini) films I've seen so far (and trust me I've seen a lot) Aas Paas is by far my least favourite, the performances from both of them was lacklustre, the chemistry and spark they both had in movies like Raja Jani, Naya Zamana etc was missing in this. Perhaps the tawdry soap opera style plot and execution plus the abysmal ending ruined things for me, but I just wasn't pleased with this movie at all and unless you're a die hard Dharema fan like me, I'd say paas on

There were a few things I liked though, I loved Nirupa Roy as Arun's wealthy mother in her stylish spectacles and lovely sari's

Nadira also brought me some  enjoyable hammy moments with her character as star whose popularity had declined , I really do wonder if her character as a forgotten legend bears some resemblance to her in the 80's when her popularity must have waned

Lovely t-shirt on Asrani, I remember seeing very similar t-shirts with that exact slogan being very popular a few years ago

And Madhu Malhotra who reminded me an awful lot of  Neetu Singh

the hair style, make up and her whole face screams Neetu!!!

 And look its mini Hrithik Roshan in one of his early filmi appearances

Ok Soundtrack from Laxmikant Pyarelal I remember loving just a coup[le of the songs,  the lovely punjabi style number 'shaher mein charcha hai'  and Hema Malini in full on daaru-tastic mode in 'hum ko bhi gham ne mara' and my utmost favourite from this film and in fact one of my favourite Dharema songs 'Tumhe dil mein bandh kar loon'


Paisa Vasool Rating: 4.5/10

For those interested in watching Aas Paas its available on youtube* with English Subtitles

*Due to copyright Issues depending on what part of the world you're in, the Video above might not play

Saagar (1985)

My first contribution towards the ongoing Kapoor Khazana which is going on around some of the bolly blogosphere is this much lauded love Triangle which left me, well we'll see in a minute

Raja (Kamal Hassan) and Mona (Dimple Kapadia) have been friends since Childhood, now that they're grown up Raja finds it hard to express his feelings to Mona

Mona on the other hand is very casual about matters between them, Raja adopts this stance too when in fact matters of his heart are otherwise

In comes Ravi (Rishi Kapoor) the son of a wealthy industrialist who falls for Mona, he also becomes good friends with Raja

Raja hopes Ravi will help him learn how to be more expressive of his feelings towards Mona, he does this not knowing of Ravi's feeling towards Mona

When Ravi finds out about Raja's feelings towards Mona, rather than be upfront that he likes her too, he agrees to do the talking for Raja

(bollywoodeewana's note: Why Ravi himself could not be upfront about his feelings is way beyond me, senseless self sacrifice all in the name of being buddies I guess)

Ravi lets Mona know about Raja's feelings but then, Raja sees Mona and Ravi cuddling which leads him to deny any feelings when Mona comes to ask how he really feels (perhaps she feels the same, or is confused the film doesn't make this explicitly clear)

Raja chickens out and calls the whole thing a prank rather than be honest about his feelings (perhaps his honesty might have helped Mona examine her feelings closely)

Thus Ravi and Mona start dating until Ravi's wealthy Mother Kamladevi (Madhu jaffrey) decides Mona isn't up scale enough to be her daughter in law, Ravi is having none of it and decides Mona would be his bride

While Ravi is away on a business trip, Kamladevi cuts a deal with Mona to choose either between her son or the livelihood of her local townsfolk, whose businesses she threatens to buy out

What will Mona do, Will she sacrifice her love for the sake of her townsfolk? Will Raja ever get the girl of his dreams?

This much lauded classic of course marked the reunion of Raja (Rishi Kapoor) and his Bobby (Dimple Kapadia) who had eloped 12 years earlier in that 1973 classic Bobby, but for me i found it really hard to appreciate this classic say apart from the songs by R.D Burman, I felt zero sympathy for the characters.

Kamal Hassan's character i found way too pitiful and lacking in conviction especially in the way he dealt with expressing matters of his heart, as well as his deceit when he was confronted by Mona about his feelings. I also could not overlook the ending which in this case, like many other love triangles (see here) someone dies just so the decision making process can be made easier, I'd have liked Saagar even more if the female lead, in this case Mona (Dimple Kapadia) really got to examine her heart and make her choice rather than end up with one of her potential suitors just because the other potential Mr Right was killed off.

Smouldering Dimple!!!

Overall watch Saagar mostly for the songs and then for the actors if you're a fan of anyone here, acting wise everyone puts in a good job but the classic love triangle trope just killed things for me, needless to say I 'd rather Dimple was awarded the Filmfare Best actress award for Zakhmi Aurat where i felt her acting prowess, the same goes for Kamal Hassan who was awarded the Filmfare Best Male actor for his role in this, I'd rather he won it for Ek Duuje ke liye than this

And of course this film is famous for Dimple's towel dropping act which occurs in a blink and you'll miss it second, but pay attention to the rather fabulous dreamy sequence below where the camera just ogles at Dimple

Excellent music from R.D Burman on here with lyrics by Javed Akhtar. Favourites are the lovely 'Chehra hai ya' the fun 'Yunhi gaate Raho' which sees kamal & Rishi get all buddy buddy whilst also doing the can-can with Dimple and the lovely ballad 'Saagar Kinare'. My two favourites on here though are the Goan style wedding song 'Oh Maria'

Saagar - Oh Maria by kandigee

and the oh so seductive 'Jaane do na' where a wet Rishi and Dimple dressed in a wet Ghagra choli blouse and sari roll around seductively on the grass

Paisa Vasool Rating: 5/10

Insaf Ka Tarazu (1980)

Writing my first review after such a long time feels weird which makes me proclaim 'away from me writer's block and be gone, be gone I say'. Insaf ka Tarazu is a movie i had planned to review on Zeenat Aman's birthday last month on November 19th, but as time did not allow, i thought it'd be the first movie i review now that I'm back in the swing of things.

Directed by the master of socially relevant bollywood films 'B.R. Chopra', Insaf ka Tarazu (The scales of Justice) is notable for being the first bollywood film that dealt head on with the subject of rape, it's also widely considered by many as one of Zeenat Aman's landmark performances. The film has been observed by many as a remake of the 1976 hollywood film 'Lipstick', which I'm yet to see, hence i shall not be able to comment on how much it rips it off, but this bollywood adaptation is a great watch, and is very much a bold film for its time

Our movie starts at a beauty competition where the audience decides who gets crowned the winner

(bollywooddeewana's note: How very forward thinking isn't it, voting for the winner is all the rage these days on Television shows)

Fashion model extraordinaire Bharti (Zeenat Aman) raises temperatures so much that a fan in the audience scores her a whopping 200 out of a possible 100. Bharti wins the competition and

the fan in question turns out to be wealthy industrialist Ramesh (Raj Babbar). As a reward for his enthusiasm he's called to crown Bharti, which he feels very honoured to do

Ramesh falls for Bharti and despite knowing she has a boyfriend of her own called Ashok (Deepak Parashar), he's hell bent on wooing her. Part of his attempts include hosting a special V.I.P birthday bash for her

Bharti goes along to the party with her boyfriend and sister, but Ramesh notices all his advances are being shunned by a rather childish Bharti in favour of her boyfriend Ashok

While Ramesh is nursing his broken heart/ego, Ashok and Bharti's relationship moves onto the next level when he takes her to his parents, Bharti's in laws approve of her and plans are made for them to get married

Ramesh still bent on wooing Bharti, calls her requesting to bring pictures from the party he threw for her, he's given the go ahead by Bharti. Ramesh goes that extra bit further and gifts her a present which Bharti in a rather childish and rude manner ignores in favour of her boyfriends call. Ramesh is furious and proceeds on raping Bharti

Bharti's sister Neeta (Padmini Kolhapure) walks in on them & thinks the sexual act between her sister and Ramesh is consensual

(bollywooddeewana's note:surely she should have seen the bruises & scars on her sister's face as well as the fact that she's tied up,or did little Neeta probably think her sister was indulging in some S&M fun, i'd fear to think so)

Violated and shattered, Bharti is determined to get justice

(bollywooddeewana's note:I must admit that i do rather like this painting revealing Bharti's inner state of mind)

despite the lawyer's (Simi Garewal) warning of the emotional turmoil and humiliation the court case will very likely bring, Bharti insists on taking the case to court

(bollywooddeewana's note: I actually find the film quite feminist in this regard as she (Bharti) stood up and made her voice heard rather that fear being ridiculed and as a result keep schtum)

True to the lawyer's word Bharti is subjected to all sorts of humiliating questions from her attire she was wearing before the rape to providing proof she was raped and many other mundane questions, she's eventually accused of luring Ramesh to bed & attempting to cover up the whole incident with the intention of remaining angelic in the eyes of her younger sister

Bharti loses the case mostly in part to the dubious lawyer Mr Chandra (Sreeram lagoo) whom Ramesh had bought out plus various pictures which showed them enjoying each other's company was enough to convince the judge Bharti was lying

Devastated and humiliated at losing the case Bharti's world comes crumbling down, What will happen to Bharti, will she ever be able to get justice? What will society make of her now? What will happen to her career as well as her relationship with Ashok? Watch Insaf Ka Tarazu (scales of justice) to find out

On the whole Insaf ka tarazu is a taut and gripping drama/thriller, it had me engrossed right from the get go and the film only begins to falter in my opinion in the quite tedious court scenes, and as usual my complaint with many a bollywood film that includes a court scene rears its ugly head here once more (see previous complaints here and here). Why is it that the court is always a place of jesting and other hijinks, for example raucous laughter is allowed to go on numerous times in the court without the judge shouting 'order'

But my complaints are far and in between as this film is a major winner for me, mostly in terms of its feminist stance in the form of Bharti not being afraid to seek justice at the cost of what might become of her reputation in society , that along side the injustices in the judicial system regarding rape which was echoed in the much later and rather over the top Zakhmi Aurat, makes this film a must watch, i definitely recommend it and i recommend reading the magazine scans at the end of this post too.

Looking back and judging by the rape and Judicial system in modern day India in the magazine scans at the end of this post, it seems a lot of the things i was angry about while watching this film happens in real life like Bharti's sister being asked to come and stand trial and then being shouted at by the lawyer. All these points and arguments which the article at the end of this post raised made me like this film all the more and made it even more relevant to our present times. As for the flat/rushed ending many imdb commenters seem to be unhappy with, alas the director had to bridge the gap between making a socially relevant film and making money at the same time, not a bad thing in my opinion.

I'd recommend this film as a must watch for all Zeenat Aman fans, i found her portrayal of Bharti passionate albeit a bit uber melodramatic and without sounding shallow she looked utterly gorgeous

Raj Babbar whatever you think of him doesn't really matter, as i think this is one if not the best role he ever played, he brought a certain creepiness to his Ramesh character so much so that you can't help but hate him, infact I've come across numerous people who hate him because of his role in this, but i say well done Raj for a great performance

Deepak Parashar another actor who gets schtick for being wooden , i actually found quite cute in this and he and Zeenat made a lovely pair

And lest i forget Padmini Kolhapure, she was nothing but great as Bharti's chirpy little sister this young actress who i believe was only a wee teenager at the time showed she was capable of handling melodrama whilst showing some restraint while doing so

Honourable mentions to Simi Garewal, Ifthekar and Sreeram Lagoo as well

Garam Dharam makes a special guest appearance

Lovely music from Ravindra Jain on this, i simply love this soundtrack and i've included links to all the videos with English subtitles, from the restrained title track 'insaf ka tarazu' to the playful 'yeh ho gayi' , my two favourites though are 'Hazaar khwaab haqeeqat' a wonderful love song by Mahendra Kapoor and Asha Bhosle

and 'log aurat ko' is definitely amongst my top three Asha Bhosle songs of all time

Paisa Vasool rating: 7/10

Magazine scans on rape the state of Rape and Justice in India

Click on image to enlage

Click to enlarge


Article courtesy Femina Magazine