Sanjog (1971)

Apologies for my sudden absence from the blogosphere, i had so much on my hands that i was feeling a bit too overwhelmed to blog, i'm skeptical about doing specials from now on as whenever i plan them, something always comes up that stops me from keeping to my said objectives. Anyway i'm on fine form now and this is the last of the films in my Mala Sinha Fan Club special, just as well its a 70's one keeping with the 70's week going on around the blogosphere

On the day of her appointment as the Chief Collector of an organisation as Asha (Mala Sinha) the new boss in charge is being introduced to her new staff she meets Mohan a man with whom she once her shared life with



In a series of flashbacks, it turns out Asha & Mohan were lovers at college, they marry without the consent of Mohan's parents who break the marriage up after sending Mohan away to study due to Asha's lower class background



Her father Madan Puri is determined to giver her a new life by getting her married again to an eligible bachelor only for him to realise she's pregnant. He promises to make his daughter highly educated and get back at Mohan's family who had looked down upon their status


Mohan tells Asha his own side of the story on how his parents had told him she's dead and upon going to her family house he found new tenants living there,his mum then fixes his marriage to another woman Seema (Aruna Irani)


Asha makes him aware of his son and their constant conversations and meeting get the busy bodies at work headed by Johnny Walker suspicious of a possible affair between the boss and Mohan



His reunion with Asha whom he had long thought dead as well as his discovery of a son he had no idea exists makes Mohan overwhelmed and its not long before he begins feeling depressed. (He thinks now that Asha is his boss that she'll be out for revenge, Asha on the other hand still loves him and is attempting to resolve her heartbreak)


Seema his wife gets suspicious of his depressed countenance daily after returning from work, she goes in to his work place and talks to Asha to lessen Mohan's workload, Seema thinks this is the problem but Mohan & Asha keep stories of their past between themselves only


The gossip mongers at work add even more fire to the situation by ringing Seema and telling her of an affair between Asha & Mohan


Thus Seema becomes insecure and distrustful of both Asha & Mohan, things also take a turn for Mohan at work when a very important file in his custody goes missing


Past tensions/hurts in their relationships resurfaces when Mohan goes to explain the case of the missing file. Asha herself seems confused, on the one hand she acts formal and professional as his boss in the company of the other workers but when they're alone she's emotional and quite subservient to him


How will the tensions in their relationship be resolved? Will Seema ever learn the real truth behind Asha & Mohan's relationship?


Overall an enyoyable and a very watchable film, the ending ruined things when it descended into chaotic melodrama mode of someone having to get the man and the other person being killed off just to make things easier, why couldn't script writers find a way to deal with a man with two lovers rather than killing one off all the time, i've come across this trope in many bollywood films


Other things that I loved about Sanjog were the performances, everyone is on fine form here but i especially loved Mala in her act as the boss, so much grace, charisma and Ohh what a presence,

it was refreshing to see a woman command male attention/respect for her brains and skills rather than for revealing skin


I don't think i would ever understand why Aruna never made it as a major heroine she could act, sing and dance and had it all but still for some reason she was always relegated to the side, here she shines and one wonders what she must have been capable of as a leading lady

Good Soundtrack from R.D. Burman, there's the cool qawalli with Johnny Walker in 'kissi kar gul ki' a romantic number 'Roop yeh tera' a confrontational song 'mann mandir mein preet' and a fun musical chairs song with Johnny walker 'Ek do teen char'




Paisa Vasool rating: 5/10

Gumrah (1963)

This is a somewhat flawed but highly enjoyable suspense drama, i watched it on a lovely friday evening and was so mesmerised by the music and Mala of course. This is one of the early bollywood films that dealt with the subject of adultery

The film starts with the hindu tale of Laxmanrekha where Sita asks her partner Ram to fetch her a deer, following his delayed return she enquires his brother Laxman to check if his brother Ram is ok, Laxman agrees but before he goes he creates a line outside of which Sita mustn't step out of


We're then introduced to a modern tale of a woman who stepped outside of such a boundary

Rajendra (Sunil Dutt) & Meena are lovers who hope to get married, things take a turn when Meena's sister Kamla (Nirupa Roy) and her two kids Pappu & Dolly (funny names right) comes to visit them from Mumbai



Tragedy strikes when Kamla dies after falling off a hill


Meena's father (Nana Palsikar) suggests Meena marry her sister's husband Barrister Ashok (Ashok Kumar) since a new woman might not take to the kids


Meena disagrees but when she notices the kids attachment to her she agrees to marry Ashok and then moves down with him to Mumbai, all this happens without her even informing Rajendra



Down in Mumbai Ashok turns out to be a workaholic and is even unable to attend their first wedding anniversary organised by Meena's father in Naintal he fails to turn up, surprisingly Rajendra her former lover turns up to entertain the guests


He and Meena are reunited and he tells about her how she had broken his heart and left him without even a word of warning, Meena explains things to him and they soon start meeting each other secretly to get busy between the sheets



When Ashok and Rajender meet each other randomly in Naintal, Ashok is taken aback by Rajendra's talent as a painter, and is surprised when one of his paintings look very much like his wife Meena, he buys the painting


Ashok gets friendly with Rajender and suggests a move to Mumbai which Rajendra is reluctant to do at first but when a film company offers him a singing job in Mumbai he accepts and moves down, thus Rajendra and Ashok get very friendly which puts Meena at great unease


However she and Rajendra keep meeting up secretly until one day a woman called 'Leela' (Shashikala) who claimsto be Rajendra's wife, she accuses Meena of cheating and threatens to blow her cover, thus begins a series of blackmail and terror which would drive Meena off the rails


Who is this woman? is she really married to Rajendra, If so why didn't he tell Meena about her? Will she tell Meena's husband even after all the bribe, What will happen to Meena's marriage should her husband find out?

A thoroughly engrossing drama, i loved each and every moment of this film, just when i thought it was a standard drama the film takes a suspenseful drive that kept me at the edge of my seat right till the very end. The ending was a bit of a letdown or should i say seemed a bit too easy, going by the moral lessons in lots of bollywood films i've watched, i was a little surprised by the ending in this, it seemed a bit too fair

Also some aspects of the film can be regarded as quite sexist, the film makes the point of the woman being the moral centre point of the family, if the 'woman strays the whole family strays' is the argument the film presents, the feminist in me then questions 'How about the man, if he strays surely the whole family strays too?' Asides from the above stated quips, this is a highly enjoyable film and its one i'll be watching over and over again, if not the whole film then for the songs at least. Gumrah was remade into the 2005 Anil Kapoor, Akshay Kumar starrer Bewafaa, i have no idea how it compare but from the reviews i've read its no way as fab as this


Fabulous performance from Mala, i just loved her so much in this film, from her chemistry with the kids to her agony as the cheating wife who's being sussed out you feel her frustration as she's being frustrated to the point of insanity. I loved her style and the way she swishes her Sari around when she's about to go and do her deeds with Rajendra


Shahsikala only has a few screen time but she makes an impact, you just want to hate her, roles where Shashikala seemed to be so annoying to the point of wanting you the viewer to pull her out seemed to be her forte, she was awarded the filmfare best supporting actress for her performance


fab interior decoration, i love that sofa on the left

This is one of my favourite soundtracks from 60's bollywood all the songs are hauntingly beautiful, 'chalo ek baar phir se', the beautiful arrangements and melodies in 'aap aaye' the haunting 'aa bhi ja' wonderful kiddies song 'Ek thi Ladki and my favourite one 'tujhko mera pyar pukare' where we're treated to lovely shots of Naintal



Total paisa Vasool rating: 7/10

Anpadh (1962)

Anpadh (Illiterate) is one of Mala's more popular films, the songs by Madan Mohan are great and the evergreen Lata Mangeshkar number 'Aap Ki Nazaron ne' is from this film

Choudhury Shambunath is a very wealthy man who puts way too much importance on his wealth, he has a younger sister Lajoo (A young Aruna Irani) whom he dotes on endlessly, as a result Lajoo becomes incredibly spoilt

when her school teacher tells her off for her very arrogant ways, her brother scolds the teacher and then stops her from attending school. Gangaram their servant tries advocating on the importance of education arguing no one will want to marry an illiterate girl, Choudhury however is convinced his wealth will get Lajoo a boy

a very young Aruna Irani

Thus Lajoo (Mala Sinha) grows up uneducated, Choudhury then arranges for her marriage to a well educated Deepak (Dharmendra) through his parents


Deepak's parents Thakur Mahendranath (Nasir huassain) and Mrs Mahendranath (Mumtaz Begum) however seem to have approved the marriage only beacause of the dowry price Choudhary is offering


Deepak is annoyed that his parents disn't ask his consent or wait for him to finish his education, he however gives in to their wishes and agrees to marry Lajoo

After their marriage when Deepak asks Lajoo to recite a written poem Lajoo tells him she can't read or write, Deepak is furious at the revelation she's illiterate and vents off to his parents,his parents are surprised Lajoo is an illiterate too and she starts getting the cold treatment

Poor Lajoo not only is she unable to read or write, turns out she's useless at cooking and housework as well

she can't cook and burns up all the food


When Deepak reads a letter she intends posting home to her brother to tell him about her newly married life she describes them as loving and everything that is the opposite of what they actually are

Deepak is won over by her kind spirit and forgiving nature and pleads for forgiveness, he promises he'll help her learn how to read and write


One day when Lajoo unknowingly offers Deepak's ill brother a bottle of poison for his remedy, Deepak's dad thankfully walks in and stops her from feeding him the poison, Thakur threatens to throw her out, her brother Choudhary who's come by to visit gets involved by sticking up for Lajoo only to be told off by her telling him 'not to interfere in their family affairs'

Choudhary who had come a long way to see Lajoo leaves, when Deepak arrives to find that he's gone as a resut of his father's attitude, he goes after him in abid to apologise and bring him back home, on his way he meets with a fatal car crash and dies thereby making Lajoo a widow

Following his death Lajoo who's pregnant with Deepak's child is driven away by his family, she returns home only to hear news that her brother is nowhere to be found, a lonely Lajoo must now fight for her survival, will she be able to manage this

Anpadh though a bit preachy on its advocacy for the education of girls is a well balanced melodrama, the film makes the point that being wealthy isn't the be all in all, it em but rather extols the importance of discipline and education. It also exalts education as the ultimate goal, or something one should definitely strive for, the film also sheds light on how the uneducated are considered Inferior, it seems people who had no education back then were looked down upon, this is still the case with many people today but I personally as much as i believe in the importance of education don't consider it the 'be all in all' and i don't consider others with no education as 'lesser beings'

Without sounding cliched, I've known many people with no education who have gone on to do great things but alas this was post independence india and i can only imagine/understand that education was seen as the way forward and a way to build yourself up to stand on your own two feet, very similar to John Chacha's desire for Bhola & Bhelu in Boot Polish (1954), in his desires for them not to beg, but rather work and earn a living.

Perfomance wise Dharmendra though in for a short time makes his presence felt, this film really made me realise how much of a beautiful actor Dharmendra really is particualrly in the 60's , his work in the 70's and 80's are way too pale in comparison to that in the 60's

Mala puts in a fine perfomane as the illiterate girl and the passionate mother who would do everything for her child, a bit melodramatic but beautiful performance none the less. here Mala lays the young girl girl and old woman with great aplomb



I had no idea Bindu had been acting since the early '60's she was on fine form as a well

Great and quite a popular Madan Mohan soundtrack all the songs from this film are fab from the fun 'Sikander ne porus' a rakhi song 'Rang birangi rakhi leke' a wedding song 'Dulhan marwad ki'and the evergreen 'Aap ki Nazron Ne' which is one of my favourte Mala songs

Total Paisa Vasool Rating: 6/10