Boond Jo Ban Gayee Moti (1967)

Apologies for my long absence, its great to be back and i really have to say i missed bolly blogging, Its been a while and i'm so eager to round off on the last two V.Shantaram movies i'm yet to review. Boond Jo Ban Gayee Moti (The drop that turned into a pearl) gave Mumtaz her first leading role in mainstream cinema after a whole string of B movies and supporting roles in many other productions

Our story starts with a man being taunted for wasting his years being a teacher, this results in a flashback

Before the death of his parents Satya Prakash (Jeetendra) is given the responsibility of caring for Mahesh his chota bhai (little brother), as such his brother's education and such other responsibilities lie on him

He manages to send Mahesh to Delhi for college, while he gets a job at the local governmnet run school


on his first day in a rather squirmy scene his students pack his drawer full of frogs (eurrgghh!!)

Village belle Shefali (Mumtaz) takes a liking to Satya Prakash due to his gentle and hardworking ethic, but then drama enters her life when her mother (Lalita Pawar) who had left since childhood following a marriage to Christan man (perhaps a missionary) attempts to rebuild a relationship with her

Shefali is having none of it and the villagers too aren't particularly helping matters as she's criticised for her conversion to christianity

While Satya is sacrificing a lot for the sake of his brother's education, rather than studying, Mahesh is living a partying lifestyle with girls, drinks, smoking etc.

Satya however is focused on his career as a teacher and sets upon putting theory into practice for the students, the headmaster opposes his teaching style which results in Satya getting the sack. He later gets the job back when they realise how much the students have improved or shall I say how smart they've become

Meanwhile Mahesh falls for wealthy Renuka, this love affair makes Mahesh even more estranged from his studies, which culminates in him not showing up for his final year exams, thus not only as he wasted his brother's precious efforts to educate him, but he also fails his finals

Rather than come clean to his brother, he steals a friends examination number and passes it onto his brother as his, an oblivious Satya is thankful and proud of his little brother


but then the story takes a major turn when Renuka who is Mahesh's girlfriend gets pregnant, she is later discovered dead, all evidences place Satya Prakash as responsible thereby leading him to be linked to the crime

Will he be proven Innocent? Who really killed Renuka? Will mahesh come clean about his dodgy ways to his brother?

Compared to some of the other V.Shantaram films i've reviewed on here Boond Jo Ban Gayee Moti (The drop that turned into a pearl) is a lot more restrained and devoid of the usual showmanship one associates with V.Shantram.

At the heart of the film is its exaltation and respectability of the profesion of teaching hence the name 'the drop that turned into a pearl' perhaps a metaphor for the work of a teacher being responsible for the drop turning into a pearl. The film also advocates the need of practical rather than just theoretical education. Though this are the fine points of the film some things like the comical court scene, (why does a court scene, well in some if not most Hindi movies, seem to be a place for high hysterics and drama, as implausible as they seemed in this, i have to admit they were quite funny).

I would have liked more insight into why Shefali's mother left her and the vilagers, or the reason for the villagers reaction to her conversion to christianity, this made the film have or should i say gave out a bit of an anti-christian vibe.

Performance wise everyone gives a restrained performance here and Mumtaz is lovable and confident in her debut leading role. Jeetendra was lovable and there was none of his Jumping Jack behaviours on here, a rather mature performance i must say. The supporting characters Akashdeep who played Mahesh and Vaishali who Renuka were lovable too

Lovely lovely songs by Satish Bhatia, according to imdb this is his only film score, there's the lovely 'Hum maine bhi' a wonderful song on nature 'Yeh kaun chitrakaar' but my two favourites are 'Meri zindagi ek khwab' all fans of campy song picturizations would love this, it features Mumtaz in everything from a fish inspired evening gown to a space rocket scientist

and the fun 'lovely lovely hai sama'

Paisa Vasool rating: 6/10

Gumrah (1963)

This is a somewhat flawed but highly enjoyable suspense drama, i watched it on a lovely friday evening and was so mesmerised by the music and Mala of course. This is one of the early bollywood films that dealt with the subject of adultery

The film starts with the hindu tale of Laxmanrekha where Sita asks her partner Ram to fetch her a deer, following his delayed return she enquires his brother Laxman to check if his brother Ram is ok, Laxman agrees but before he goes he creates a line outside of which Sita mustn't step out of


We're then introduced to a modern tale of a woman who stepped outside of such a boundary

Rajendra (Sunil Dutt) & Meena are lovers who hope to get married, things take a turn when Meena's sister Kamla (Nirupa Roy) and her two kids Pappu & Dolly (funny names right) comes to visit them from Mumbai



Tragedy strikes when Kamla dies after falling off a hill


Meena's father (Nana Palsikar) suggests Meena marry her sister's husband Barrister Ashok (Ashok Kumar) since a new woman might not take to the kids


Meena disagrees but when she notices the kids attachment to her she agrees to marry Ashok and then moves down with him to Mumbai, all this happens without her even informing Rajendra



Down in Mumbai Ashok turns out to be a workaholic and is even unable to attend their first wedding anniversary organised by Meena's father in Naintal he fails to turn up, surprisingly Rajendra her former lover turns up to entertain the guests


He and Meena are reunited and he tells about her how she had broken his heart and left him without even a word of warning, Meena explains things to him and they soon start meeting each other secretly to get busy between the sheets



When Ashok and Rajender meet each other randomly in Naintal, Ashok is taken aback by Rajendra's talent as a painter, and is surprised when one of his paintings look very much like his wife Meena, he buys the painting


Ashok gets friendly with Rajender and suggests a move to Mumbai which Rajendra is reluctant to do at first but when a film company offers him a singing job in Mumbai he accepts and moves down, thus Rajendra and Ashok get very friendly which puts Meena at great unease


However she and Rajendra keep meeting up secretly until one day a woman called 'Leela' (Shashikala) who claimsto be Rajendra's wife, she accuses Meena of cheating and threatens to blow her cover, thus begins a series of blackmail and terror which would drive Meena off the rails


Who is this woman? is she really married to Rajendra, If so why didn't he tell Meena about her? Will she tell Meena's husband even after all the bribe, What will happen to Meena's marriage should her husband find out?

A thoroughly engrossing drama, i loved each and every moment of this film, just when i thought it was a standard drama the film takes a suspenseful drive that kept me at the edge of my seat right till the very end. The ending was a bit of a letdown or should i say seemed a bit too easy, going by the moral lessons in lots of bollywood films i've watched, i was a little surprised by the ending in this, it seemed a bit too fair

Also some aspects of the film can be regarded as quite sexist, the film makes the point of the woman being the moral centre point of the family, if the 'woman strays the whole family strays' is the argument the film presents, the feminist in me then questions 'How about the man, if he strays surely the whole family strays too?' Asides from the above stated quips, this is a highly enjoyable film and its one i'll be watching over and over again, if not the whole film then for the songs at least. Gumrah was remade into the 2005 Anil Kapoor, Akshay Kumar starrer Bewafaa, i have no idea how it compare but from the reviews i've read its no way as fab as this


Fabulous performance from Mala, i just loved her so much in this film, from her chemistry with the kids to her agony as the cheating wife who's being sussed out you feel her frustration as she's being frustrated to the point of insanity. I loved her style and the way she swishes her Sari around when she's about to go and do her deeds with Rajendra


Shahsikala only has a few screen time but she makes an impact, you just want to hate her, roles where Shashikala seemed to be so annoying to the point of wanting you the viewer to pull her out seemed to be her forte, she was awarded the filmfare best supporting actress for her performance


fab interior decoration, i love that sofa on the left

This is one of my favourite soundtracks from 60's bollywood all the songs are hauntingly beautiful, 'chalo ek baar phir se', the beautiful arrangements and melodies in 'aap aaye' the haunting 'aa bhi ja' wonderful kiddies song 'Ek thi Ladki and my favourite one 'tujhko mera pyar pukare' where we're treated to lovely shots of Naintal



Total paisa Vasool rating: 7/10