Saagar (1985)

My first contribution towards the ongoing Kapoor Khazana which is going on around some of the bolly blogosphere is this much lauded love Triangle which left me, well we'll see in a minute

Raja (Kamal Hassan) and Mona (Dimple Kapadia) have been friends since Childhood, now that they're grown up Raja finds it hard to express his feelings to Mona

Mona on the other hand is very casual about matters between them, Raja adopts this stance too when in fact matters of his heart are otherwise

In comes Ravi (Rishi Kapoor) the son of a wealthy industrialist who falls for Mona, he also becomes good friends with Raja

Raja hopes Ravi will help him learn how to be more expressive of his feelings towards Mona, he does this not knowing of Ravi's feeling towards Mona

When Ravi finds out about Raja's feelings towards Mona, rather than be upfront that he likes her too, he agrees to do the talking for Raja

(bollywoodeewana's note: Why Ravi himself could not be upfront about his feelings is way beyond me, senseless self sacrifice all in the name of being buddies I guess)

Ravi lets Mona know about Raja's feelings but then, Raja sees Mona and Ravi cuddling which leads him to deny any feelings when Mona comes to ask how he really feels (perhaps she feels the same, or is confused the film doesn't make this explicitly clear)

Raja chickens out and calls the whole thing a prank rather than be honest about his feelings (perhaps his honesty might have helped Mona examine her feelings closely)

Thus Ravi and Mona start dating until Ravi's wealthy Mother Kamladevi (Madhu jaffrey) decides Mona isn't up scale enough to be her daughter in law, Ravi is having none of it and decides Mona would be his bride

While Ravi is away on a business trip, Kamladevi cuts a deal with Mona to choose either between her son or the livelihood of her local townsfolk, whose businesses she threatens to buy out

What will Mona do, Will she sacrifice her love for the sake of her townsfolk? Will Raja ever get the girl of his dreams?

This much lauded classic of course marked the reunion of Raja (Rishi Kapoor) and his Bobby (Dimple Kapadia) who had eloped 12 years earlier in that 1973 classic Bobby, but for me i found it really hard to appreciate this classic say apart from the songs by R.D Burman, I felt zero sympathy for the characters.

Kamal Hassan's character i found way too pitiful and lacking in conviction especially in the way he dealt with expressing matters of his heart, as well as his deceit when he was confronted by Mona about his feelings. I also could not overlook the ending which in this case, like many other love triangles (see here) someone dies just so the decision making process can be made easier, I'd have liked Saagar even more if the female lead, in this case Mona (Dimple Kapadia) really got to examine her heart and make her choice rather than end up with one of her potential suitors just because the other potential Mr Right was killed off.

Smouldering Dimple!!!

Overall watch Saagar mostly for the songs and then for the actors if you're a fan of anyone here, acting wise everyone puts in a good job but the classic love triangle trope just killed things for me, needless to say I 'd rather Dimple was awarded the Filmfare Best actress award for Zakhmi Aurat where i felt her acting prowess, the same goes for Kamal Hassan who was awarded the Filmfare Best Male actor for his role in this, I'd rather he won it for Ek Duuje ke liye than this

And of course this film is famous for Dimple's towel dropping act which occurs in a blink and you'll miss it second, but pay attention to the rather fabulous dreamy sequence below where the camera just ogles at Dimple

Excellent music from R.D Burman on here with lyrics by Javed Akhtar. Favourites are the lovely 'Chehra hai ya' the fun 'Yunhi gaate Raho' which sees kamal & Rishi get all buddy buddy whilst also doing the can-can with Dimple and the lovely ballad 'Saagar Kinare'. My two favourites on here though are the Goan style wedding song 'Oh Maria'

Saagar - Oh Maria by kandigee

and the oh so seductive 'Jaane do na' where a wet Rishi and Dimple dressed in a wet Ghagra choli blouse and sari roll around seductively on the grass

Paisa Vasool Rating: 5/10

Aulad (1987)

keeping this blog is becoming more of a challenge but still, i'm committed to the cause, apologies for my short absence. The fourth film in Sridevipalooza is a remake of a bollywood classic i reviewed a while ago, follow the plot write up and see if you're able to guess correctly

Wealthy and successful Anand is under intense pressure to get married from his Uncle (Saeed Jaffrey) he takes poor street dancer Devki (Sridevi) as a pretend bride, the two fall in love and Anand marries her


Following their marriage and while on honeymoon in Kashmir, their intimate moments while romancing in a garden is cut short by torrential rainfall, both couples take refuge in a nearby house which belongs to another newly married couple Vikas (Vinod Mehra) & Yashoda (Jaya Prada), both couples become friends


Upon returning to Bombay Devki finds out she's pregnant, simultaneously in kashmir Yashoda finds out she's pregnant too. Months later and Devki gives birth, following the doctors orders to take their new born away from the hustle and bustle of Mumbai, they catch a train to Kashmir, also on their way to Mumbai are Vikas and Yashoda. In a weird case of coincidence both trains crash into each other which claims Vikas's life, Devki is also feared dead

Nevermind the accident made use of Toy train models


Anand and Yashoda end up in the same hospital, Yashoda gives birth to a still born, and Anand not wanting to break her heart further seeing she's just lost her husband decides to give her his own son, he asks the doctor (Ramesh Deo) to keep this a secret betweeen them


Years go by and Anand starts visiting Yashoda just so he'll be able to see his son, the boy is now named kishen and Anand becomes increasingly attached him and Yashoda which leads to her mother in law speculating about a possible relationship, she's warned not to drag the family's name into disrepute (but surely she's now a widow, shouldn't she be allowed to see other men na?)


She's warned not to see him again, this new decision proves difficult as kishen is already developing a strong bond with Anand whom he sees as a father figure

The sweet Baby Guddu as Kishen

Meanwhile Devki who had been feared dead turns up alive at Anand's house, its revealed the accident had left her with memory loss but she had regained them upon seeing a speeding train which clearly reminded her of her accident (easy, isn't it...lol)


Anand is shocked and equally scared as Devki asks about their child, without hesitating Anand lies saying he had died in the train accident


Poor Devki is distraught, but decides to move on, hopeful she might bear another child, but as destiny would have it, she's receives another bad news when the doctor tells her she will never be able bear another child again


Devki accepts her destiny but later becomes suspicious of Anand's clingy behaviour towards Kishen, plus she notices they seem to share some traits, she confronts Anand about this and he confirms Kishen is indeed her son


Thus begins a custody battle between Devki and Yashoda on who gets the child


If the story of this film sounds familiar, that's because it's an uncredited remake of 'Chirag kahan Roshni kahan' (1959) which i've reviewed here, Chirag Kahan Roshni Kahan is by far the superior film, this 80's knock off just doesn't have the restraint & melodramatic goodness of the original plus the songs in this are nowhere as fab. Some twists have been added to the story here, but 'Chirag kahan Roshni Kahan' still comes out on top in my opinion.

Now Aulad is still a decent watch if you're in the mood for some 80's style melodrama, the perfromances are decent albeit in that melodramatic 80's kind of way, Jaya Prada definitely had big shoes to fill as she reprises Meena Kumari's role in the original, now God forbid i compare Jaya to Meena but she does a decent job, she even did the whole Lady in white sari thing a la Meena. Overall watch Aulad (Child) if you're a fan of any of the actors or if you're in the mood for some 80's style melodrama


Some More Screencap goodness


bahut khoob bahut khoob


Stunning Jaya


Ramesh Deo still so handsome despite all that Grey hair



Rather average songs from Laxmikant Pyarelal, but as i said they just couldn't match Ravi's outstanding soundtrack in Chirag kahan Roshni Kahan, highlights are 'Tan tan ghadie main' a nursery rhyme style song clearly modeled after 'Tim tin karte taare' from Chirag kahan Roshni kahan' and 'Raste kamal saste' my favourites of all the songs is 'Dhak dhak dhadke jiya'




Paisa Vasool rating: 5/10

Aulad is available with English Subtitles in 21 parts on Youtube