Mera Pati Sirf Mera Hai (1990)

When the title of a film translates into 'My Husband is mine only' you know you're in for some ridiculous campy melodramatic moments and that's just what this film provided me with. And as for the newspapaer journalist who according to dustedoff made these comments

“Both women, no matter how hard to believe this may be, fall in love with Jeetendra…”

better start eating his words because in Mera Pati Sirf Mera Hai not only do two women fall in love with Jeetendra, they're also fighting over him

Prakash (Jeetendra) a struggling road side tailor impresses Sharda (Rekha) a wealthy bank employee with his talent, who in turn invests heavily in his business as a result its not long before he hits the big time even owning his own department store

Sharda falls for Prakash's charm and his work ethic, and proposes marriage to him, her proposal is refused by Prakash saying he "esteems her too highly to be married to her" (huge suspension of disbelief!)

Years go by and Prakash is now married to Roopa (Raadhika Sarathkumar) with a lovely kid called Pinky

His marriage to Roopa though, is anything but peaceful as all she does is create havoc and trouble for him

Prakash had been forced into marrying her after his sister Jyoti had been impregnated by her brother Deepak. Deepak had then refused to accept the pregnancy, and in a bid to save the family's honour Prakash begs him to marry Jyoti, he agrees provided Prakash hands over his whole business empire to their family, supplies numerous amounts of Sari's & Gold to his mother(Shobha Khote) as well as marry his sister Roopa, surprisingly Prakash agrees to all these conditions (suspension of disbelief)

Years later Sharda moves back to the same city as Prakash, and in a strange case of melodramatic coincidence, she moves next door to Prakash

Prakash's daughter Pinky (Baby Shweta) becomes good friends with Sharda, when Roopa sees her grandmother whom she ill treats being pampered by Sharda, she becomes suspicious and starts spreading false rumours about Sharda claiming she's having an affair with her husband

Sharda's life is turned upside down by these allegations and everyone from her neighbours to her boss at work give her a hard time for it

She decides to clear her reputation and goes about it in a rather strange melodramatic way, (as I've said before, a huge suspension of belief is required while watching this film) She moves right into Roopa's house, and makes a home for herself there

Roopa is furious as one would imagine and beckons her to leave her house, Sharda makes her understand that unless she takes back her allegations in public she's not leaving

Roopa being the strong headed woman she is refuses to take back her allegations, Sharda too is adamant about moving out until Roopa clears her reputation, adding insult to Roopa's injury is her husband Prakash who backs Sharda, claiming Roopa must apologise

So Will Roopa apologise and clear Sharda's name of the accusations? Will Sharda be able to stick out oer will she give up and move out? Would Prakash realise his affection for Sharda or will he continue looking up to her as a goddess?

Ok i don't believe i actually just typed out what must be one of the most ridiculous plots i've ever seen, but alas it had to be done, it had Jeetendra in it after all, one gets the idea that his daughter Ekta Kappor the producer of many serials based on such story lines did her homework well watching her Daddy's films from the '90's, Mera Pati Sirf mera hai (what an amazing title, na!) is watchable even with its irritating storyline for its campiness and ridiculous soap opera style execution, if you're a big fan of the numerous Ekta Kapoor style serials that are hits with millions of Indian audiences then this is a film you might want to check out

Jeetendra's career was in decline at this point, despite the whole ridiculousness of the story his performance is good albeit in a very melodramatic way

Raadhika Sarathkumar one of my favourite heroines who played the lead role in one of my favourite bollywood femme fatale revenge sagas kudrat Ka Kanoon was ohh so annoying as Roopa in this, you know an actress has done her part rather well when you want to flip your remote at her for playing an overbearing character

Rekha as usual was a joy to watch, given the ridiculousness of the story, Rekha gives quite a commendable performance

The songs by Anand Milind seemed to have been hits at the time of its release, there's the sensuous 'Thandi hawa hai' two versions of this songs occur there's a seductive one and a more upbeat one which i've embedded below, it pretty much sums up the whole movie

A daaru song 'aaj gaale ke niche utara' and the wonderful peppy number 'maine tujhe khat likha' one of the contributing factors to me watching this film

and what better way to round off Jeetendra week than ending with what must be the best tailor/salesman song ever and such a fun picturisation too 'Aaiye Farmaiye' Jeetu-ji Zindabad

Paisa Vasool Rating: 4.5/10

A big thank you to everyone who contributed to my Jeetendra week posts, i'm still discovering more of his works, do feel free to leave recommendations of films to watch out for him in, i guess Nasir sums it up perfectly when he says "there's something about him, something that just can't be ignored" while he might not have been appreciated by the critics, he had lots of charisma and taht x-factor that saw him through over 3 decades of hindi cinema, Jeetu-ji zindabad

Himmatwala (1983)

Following the massive flop of Deedar-E-Yaar, this film did magic for Jeetendra's career and catapulted him into the high realms of bankable stars in 80's bollywood. Directed by K.Raghavendra Rao, Himmatwala (Bravery) was a remake of the directors Tollywood film 'Ooriki Monagadu', these southern type melodramas (mostly remakes of southern films) became a winning formula in 80's bollywood with Jeetendra starring in almost every single one of them alongside Sridevi & Jaya Prada, coupled with dialogues written by Kader Khan as well as folky disco type music from Bappi Lahiri. Himmatwala is a typical example of this genre of films that became blockbusters

Ravi (Jeetendra) returns to the village of Ramnagar after completing his Engineering education in the city, he is disheartened when he finds his mother & sister living in dire conditions

He finds out about his mother Savitri's (Waheeda Rahman) sacrifice to get him educated & learns how his father Dharmamurti (Satyendra Kapoor) had been framed for rape by the village tyrant Sher Singh (Amjad khan), as a result his father was driven out of the village never to be found again, a furious Ravi promises to avenge his father's disgrace and gain back his father's honour by bringing Sher Singh to justice

Also taunting or should i say terrorising the villagers with her pranks is Sher Singh's daughter Rekha (Sridevi)

Better don't mess with Rekha or you'll be lashed

Unfortunately for both father & daughter they finally meet their match in the form of Ravi who squares up to them, he's met with admiration and respect by the local villagers who begin looking up to him

When he's given the contract to build a dam in the village, Sher Singh tries to bribe him into choosing his own plot of land for the project, when Ravi refuses Sher Singh sets out to get him

He manages to make Rekha see the error of her ways in a taming of the shrew kind of way, she falls hard for him & joins him in his quest to bring down her father's tyranny

Himmatwala is a silly film with a barely there plot which manages to stretch itself out for 2.5 hours, i'd be lying if i said i didn't enjoy it in spite of its silliness, these southern type films were widely panned by the critics, which didn't stop them becoming massive hits. Himmatwala of the two southern type melodrama's i've seen so far is not overly melodramatic like Tohfa, its charm lies in the charisma of Jeetendra and campness of Sridevi and the supporting cast, i think the rather simple and relate-able surroundings the film appears to have been shot in, as well as its themes on forgiveness and love for humanity coupled with visuals that felt very Indian perhaps made the film a hit amongst audiences

There's a certain Indian aesthetic to this southern type films that i admire, for example the 'Nainon mein sapna' number ranks as one of my all time bollywood song picturisatons, with its Bugsby Berkely style arrangement of props and dancers as well as the use of colours, it just packs so much of a raw Indian aesthetic which i just couldn't help but love. The 'Nainon mein sapna' song is the major reason i bought this film, i refuse to get tired of it, its one of my all time favourite bollywood songs, Why is this so, allow me to recap

massive area of land with carefully arranged clay pots and dancers

Sridevi in southern style dance poses

Cheerful looking dancers in colourful outfits with colourful dusters

Jeetendra and his colourful dusters

a giant glittery sun shaped prop

Perfectly synchronised dance steps

(see the video to this legendary song at the bottom of the post)

Himmatwala took Sridevi's career to new heights, i've read posts on various bollywood forums describing her effect on the filmi world as that of an earthquake hitting a town, upon the release of Himmatwala

What a long way she has come, i'm amazed that despite being older now, she looks half the size of what she looked like back then. She was curvy in this film, and seems she was given every opportunity to flaunt those curves at us, the cameraman perhaps in a case of perviness or perhaps to make the film more commercially viable gives lots of closeup shots of her thighs and posterior

lots of body close ups

The music by Bappi Lahiri is what makes Himmatwala a winner for me and one of the major reasons i shall be re watching it again, there's the fun 'ladki nahin tu' with lyrics such as "You simply aren't a girl, you're a wooden pillar" as well as 'taki o taki' a joy to behold for the perfectly synchronised dance steps of Jeetendra and Sridevi. My favourites include the highly infectious 'Wah wah khelu shuroo ho gaya' for its electro disco sounds

and the wonderful 'Nainon mein sapna' the major reason i bought this film

Paisa Vasool Rating: 6/10 (Extra points for the songs, props & Nainon mein sapna)

Buy the dvd here

Deedar-E-Yaar (1982)

This is the film that almost or should i say put Jeetendra's account in the red for sometime, he had invested heavily in this Muslim social only for the film to flop, leaving Jeetendra with a debt of R2.5 crore, thankfully his account survived the woes this movie thrust upon it with the subsequent hits he had afterwards

Nawab Akhtar (Jeetendra) & Javed (Rishi Kapoor) are best buddies, Javed falls in love with the gorgeous Firdhaus (Tina Munim) the daughter of a wealthy Nawab Changezi (Shreeram Lagoo)

Nawab Akhtar too meets her and falls in love with her, not knowing she's the same girl his best friend Javed is in love with

Firdhaus on the other hand feels more affection towards Javed and when she realises both are friends she keeps quiet (why would she do this you might ask, Ah things have to get dramatic after all, otherwise we'd have no story)

When Nawab Akhtar's sister's marriage falls on hard times due to her husbands frequent visits to Lucknow's top courtesan Husna (Rekha), he visits her to quote a price that would stop her from seeing Nawab Jehangir his sister's partner

Husna is smitten by Nawab Akhtar & She agrees she would stop dancing for Jehangir provided Nawab Akhtar comes to visit her every evening, Nawab Akhtar agrees, Husna is thankful and hopeful this encounter might lead to marriage with Akhtar which would eventually lead to her being rescue from her disgraceful profession

When Firdhaus's father (Shreeram Lagoo) disapproves of her marriage to Javed due to a taint on his family honour, Akhtar in a silly and rather dramatic move decides he'll marry the woman in question for Javed's sake, and then divorce her, Akhtar thinks her family who would not want anything to taint their honour, would then be forced to marry her off to Javed

Following his decision to marry he goes to Husna one last time, telling her he won't be seeing her again as he's getting married soon, Husna is heartbroken but puts on a brave face

On the of the wedding he realises he's married none other than his beloved, Firdhaus

Will he divorce her or keep her to himself? Will Javed & Akhtar friendship withstand the strain? What will be Husna's fate, will she be able to endure the heartbreak?

So why did this film fail? This film is directed by none other than the great H.S Rawail who directed Muslim Socials like 'Mere Mehboob' & 'Mehboob ki Mehndi', surely one would think this would have given the film some status, or perhaps a Muslim social with bits of dishoom dishhoom factor thrown in just didn't sit right with audiences we would never know. As over dramatic and a bit silly Deedar E- yaar (Seeing my beloved) is, its enjoyable and it keeps your attention (well if you're into melodrama) if not for the plot then for the songs at least

still there's a lot to admire in terms of set designs, the Lucknow type interiors and outfits

Lovely Chandeliers

Palatial Interiors

Marble Tiles

Romantic Fountain

One of my favourite bollywood divas Reena Roy also makes a cameo appearance

And Rekha brought some serious drama, i particularly love this scene beow, thank God i didn't watch this film as a kid, i'm sure i would have made an attempt to reenact the scene, i know its just something i would have tried doing, check out how the camera revolves around her towards the end

The songs by Laxmikant Pyarelal i would have thoughT would have elevated the film to be a hit as they're all classics from the lovely 'Tum ko dekha to' the wonderful 'Jaana jaana jaldi' & 'aayee phoolon ke' a rafi & Kishore duet 'mere dildar ka'. My two favourites though is the romantic 'Sarakti jayen Rukh se'

and the awesome qawalli 'idd ka din hai' where Rishi really proves no one can work a qawalli any better than him

Deedar-E-Yaar - Idd ka din from Bollywood Deewana on Vimeo.

Paisa Vasool Rating: 7/10 (Extra Points for the beautiful songs)

Buy the dvd here